4

David Liebman & Ellery Eskelin: Non Sequiturs

Troy Collins By

Sign in to view read count
David Liebman & Ellery Eskelin: Non Sequiturs Non Sequiturs is the third Hatology release from the cooperative quartet co-led by saxophonist's David Liebman and Ellery Eskelin, following 2008's Renewal and their 2005 debut, Different But The Same. Although the pairing initially seemed surprising (Liebman is Eskelin's former teacher), the two tenors have since demonstrated an innate kinship; each is a fearless improviser, well-versed in the tradition, but unafraid to venture into uncharted territory.

Throughout the album, they alternate probing cadences and lyrical motifs with an uncanny synchronicity that belies their respective reputations—Liebman as the venerable traditionalist, Eskelin as the bold avant-gardist. Yet in fact, the saxophonists are so simpatico that it is occasionally difficult to tell them apart; Liebman himself once stated, "I can't always tell the difference myself."

Enriching their congenial rapport is the dynamic interplay of Liebman's longstanding bassist Tony Marino and Eskelin's steadfast drummer Jim Black. Their intimate familiarity with the nuances of each co-leader's approach imbues the proceedings with supple precision, even during the most abstract excursions. In contrast to the group's previous date, neither Marino nor Black contributes compositions to this studio session. Instead, the two leaders split writing duties, with their respective tunes separated into a virtual set list; Liebman's pieces occupy the first half, while Eskelin's titular suite dominates the second.

"New Breed" (drafted during Liebman's 1970's tenure with Elvin Jones) opens the record, lending new meaning to the song's title with a surge of muscular tenor salvos—a visceral aspect further amplified in an ecstatic cover of Albert Ayler's anthem "Ghosts." The amiable discourse of "In The Mean Time" provides subtle respite between the aforementioned numbers, underpinned by a sinuous modal groove.

The eight-part "Non Sequiturs" suite takes up the entire second half of the program, episodically building in intensity from the hushed unisons of "No Opening" to the rousing funk of "Adjusted Scatter." Eskelin's work requires adherence to notated rhythms, leaving pitch choices to the improvisers; the outcome is a contrapuntal web of interlocking parts designed to steer soloists away from clichéd harmonic patterns. Despite such rigorous frameworks, the final results swing with their own syncopated logic.

Non Sequiturs expands upon the conceptual inroads made in Liebman and Eskelin's previous efforts; their democratic embrace of freedom and form transcends conventional notions of melody, harmony and rhythm, yielding a highly personalized interpretation of the piano-less quartet tradition.

Track Listing: New Breed; In The Mean Time; Ghosts; Non Sequiturs (Suite in 8 parts): No Opening; Low Visibility; Main North; Uncertain Speech; Vertical Prose; Intended Poem; Tin Baroque; Adjusted Scatter.

Personnel: David Liebman: tenor saxophone; Ellery Eskelin: tenor saxophone; Tony Marino: bass; Jim Black: drums.

Year Released: 2012 | Record Label: Hatology | Style: Modern Jazz


Shop

  • The Sky
    The Sky
    Dave Liebman
    Turnaround: The Music of...
  • A Bright Place
    A Bright Place
    Dave Liebman Big Band
    Live/As Always
  • WTC
    WTC
    Dave Liebman / Richie Beirach / Frankfurt Radio Bigband
    Quest for Freedom
  • Lost Horizon
    Lost Horizon
    Dave Liebman / Contact
    Five on One
  • Standoff
    Standoff
    Dave Liebman / Quest
    Re-Dial
CD/LP/Track Review
Jazz Raconteurs
Interviews
CD/LP/Track Review
Live Reviews
Read more articles

More Articles

Read On A Monday Evening CD/LP/Track Review On A Monday Evening
by Dan McClenaghan
Published: April 22, 2017
Read Soulmation CD/LP/Track Review Soulmation
by Dan Bilawsky
Published: April 22, 2017
Read Feather CD/LP/Track Review Feather
by Dan McClenaghan
Published: April 22, 2017
Read Lookin' East CD/LP/Track Review Lookin' East
by Jack Bowers
Published: April 22, 2017
Read The Voice of Robert Desnos CD/LP/Track Review The Voice of Robert Desnos
by Geannine Reid
Published: April 22, 2017
Read The Dreamer Is the Dream CD/LP/Track Review The Dreamer Is the Dream
by Karl Ackermann
Published: April 21, 2017
Read "Been Up So Long It Looks Like Down to Me: The Micros Play the Blues" CD/LP/Track Review Been Up So Long It Looks Like Down to Me: The Micros Play...
by Troy Dostert
Published: March 3, 2017
Read "Wise After The Event - Deluxe Edition" CD/LP/Track Review Wise After The Event - Deluxe Edition
by Glenn Astarita
Published: April 23, 2016
Read "Earprint" CD/LP/Track Review Earprint
by Jerome Wilson
Published: October 14, 2016
Read "Transparent Water" CD/LP/Track Review Transparent Water
by Roger Farbey
Published: December 29, 2016
Read "Pale White Shout" CD/LP/Track Review Pale White Shout
by Glenn Astarita
Published: August 10, 2016
Read "Surrounded by the Night" CD/LP/Track Review Surrounded by the Night
by Glenn Astarita
Published: May 29, 2016

Post a comment

comments powered by Disqus

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!