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Like a horrendous and gruesome accident you pass on the expressway, listening to the Jamie Stewart's covers of Nina Simone's music is both repulsive and abhorrent, but ultimately impossible to escape.
Seems you just have to listen.
Stewart and his avant-garde group Xiu Xiu probably have never had their discs filed in the jazz section of a record store. They have covered music by The Smiths and David Bowie/Queen's "Under Pressure." Certainly, covering a legend invites judgement, but Stewart steers clear of direct imitation of Simone's voice, opting to capture only her emotion.
His breathy sung/spoken lyrics are often whispered into the microphone like a frail Leonard Cohen. "Don't Smoke In Bed," is teased out painfully over the arrangements of drummer Ches Smith. The session finds a Downtown cast of superstar talent. Mary Halvorson twirls her guitar pedal distortions as foil to the singer, accordionist Andrea Parkins supplies atmosphere, and the two saxophone back of Tim Berne and Tony Malaby insures the tunes will be packed with consequential sound.
Highlights include a rollicking version of "Flo Me La" with Smith hammering out a rock-slide of percussion over Parkins' electronics, a shuffle blues "Four Women" that triggers a violent implosion of sound, and the afro-pop musings of "See Line Woman."
Stewart's interpretation is painful, but it is that good kind of pain.
Track Listing: Don’t Smoke In Bed; Don’t Explain; Wild Is The Wind; Where Can I Go; See
Line Woman; Just
Say I Love Him; Four Woman; Pirate Jenny; You’d be So Nice; The Other
Woman; Flo Me La.
Personnel: Tim Berne: alto saxophone, baritone saxophone; Tony Malaby: tenor
Halvorson: guitar; Andrea Parkins: accordion, electronics, piano, Moog;
Ches Smith: drums;
Jamie Stewart: vocals.
Year Released: 2013
| Record Label: Graveface Records
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.