5

Erroll Garner: Night Concert

Chris Mosey By

Sign in to view read count
Erroll Garner: Night Concert
It's the jazz equivalent of finding a Van Gogh or a Ming vase in the attic: the discovery of a complete, perfectly-recorded 1964 concert by one of the music's greatest virtuoso solo pianists. In the beginning was Art Tatum. Then came Oscar Peterson. Finally—and in many ways the most interesting of the holy trinity—Erroll Garner.

Garner was famed for his long, rambling introductions. In a section of the liner notes jazz historian Professor Robin D. G. Kelley writes, "His signature introductions left audiences—not to mention his own sidemen—in great anticipation of what was to come. He was prone to meandering, rubato introductions that initially bear little resemblance to the song or the key, before suddenly leaping into the melody."

They have to be heard to be believed and—to be honest—can become irritating. Many modern listeners may find themselves longing for the "less is more" approach to jazz piano taken by the likes of Ahmad Jamal. But Garner was at his peak for this midnight concert before an audience of 2,000 in the Royal Concertgebouw, Amsterdam, on November 7, 1964.

Before it got underway, drummer Kelly Martin nervously asked bassist Eddie Calhoun about the set list for the night. "Man, I can't tell you nothing," said Calhoun. "We just get up there and play. I don't know what this cat is going to do."

In the event, as Professor Kelly puts it, the trio "rocked the 76-year-old concert hall like there was no tomorrow."

Writing in The New Yorker, critic Whitney Balliett said, "Garner's appeal stems from his style which is rococo and eccentric, and from the easily accessible flash, geniality, and warmth that continually propel it."

Those words conjure up a magical age when jazz was still unfolding, rock was yet to be born and Garner's Concert By The Sea was the cornerstone of any self-respecting record collection. That classic album now has a worthy companion, blessed with all the aids of modern technology. A collector would have difficulty choosing between them.

The program is pretty typical, most of it standards, kicking off with "Where Or When" and continuing with Cole Porter's "Easy To Love." There's "On Green Dolphin Street" from 1947, composed for a film, which Miles Davis converted into a jazz classic. More interesting are Garner's versions of "Cheek To Cheek" and "My Funny Valentine," in which he doffs his cap to what was then the avant-garde and the swinger "Gipsy In My Soul," which he made his very own.

In Garner's version of "Laura," Christian Sands, another contributor to the copious liner notes, hears echoes of—believe it or not—Cecil Taylor. More plausibly, he highlights Garner's examination of his stride roots in "When Your Lover Has Gone."

In each number the maestro gives you something different to get your teeth into. It's what his particular genius was all about and it is truly marvellous to be reminded of it again.

Track Listing

Where Or When; Easy To Love; On Green Dolphin Street; Theme From “A New Kind Of Love” (All Yours); Night And Day; Cheek To Cheek; My Funny Valentine; Gipsy In My Soul; That Amsterdam Swing; Over The Rainbow; What Is This Thing Called Love; Laura; When Your Lover Has Gone; No More Shadows; ‘S Wonderful; Thanks For The Memory.

Personnel

Erroll Garner: piano; Eddie Calhoun: bass; Kelly Martin: drums.

Album information

Title: Night Concert | Year Released: 2018 | Record Label: Mack Avenue Records

Post a comment about this album

Watch

Tags

Shop Amazon

More

Read Source
Source
Nubya Garcia
Read End Of Summer
End Of Summer
Espen Eriksen Trio
Read Facing Duality
Facing Duality
Maria Baptist and Jan von Klewitz
Read Stateless
Stateless
Tashi Dorji
Read I'm All Yours
I'm All Yours
Beth Duncan
Read Drumology
Drumology
Rob Silverman
Read La Loba
La Loba
Fini Bearman

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.