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A whiff of glorious, old-time New Orleans jazz in "Free to be Me" jubilantly launches trombonist Benny Powell's Nextep. Yet be assured the set is no trip down nostalgia lane. A working musician since his early teens in New Orleans, bop loyalist and veteran sideman at hundreds of recording sessions with the likes of everyone from Count Basie and Frank Sinatra to Aretha Franklin and "Screamin'" Jay Hawkins, at 78, Nextep is Powell's bid to finally take well-earned center stage as nonpareil trombonist and composer.
All but one of the compositions on this set are by Powell, TK Bluehis longtime alto/soprano saxophonist and flautist in Randy Weston's African Rhythms (and author of the title tune)and pianist Sayuri Goto. And what a hot, fresh horn of musical plenty they provide.
On Goto's Brazilian-flavored "Best People," Powell has a long, undulating solo. Blue and Powell trade evocative back alley sounds on Blue's noir gem, "Another Blue," as drummer Billy Hart lends a tangy backbeat. Powell and Blue give out with toasty, tasty licks on his "You Got It," which segues smoothly into Powell's whirling duet with Goto. They're so instantly and solidly in sync it's as if her piano is pouring out of his trombone. Effortlessly, Blue blows back in with some easy heat, only to have Goto lay down more sweet rhythmic underpinnings before Powell caps the doings with casually piquant toots.
Powell has said he thinks this is his best CD to date. Overflowing with strong, original music, it is absolutely first class all the way.
Track Listing: Free To Be Me; The Township Diary; Best People; Akiha; Another Blue; Night, Never End; I Tried and Tried; A Single Tear of Remembrance; You Got It; The Caribbean Express.
Personnel: Benny Powell: trombone; TK Blue: alto and soprano saxophones, flute; Sayuri Goto: piano; Essiet O. Essiet: bass; Billy Hart: drums.
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.