Newport Jazz Festival
Fort Adams State Park
August 2-4, 2019
The 65th Anniversary Newport Jazz Festival
continued an established tradition of delivering an exceptional level of high quality musicianship. Over the three fully packed days (and one special evening at the International Tennis Hall of Fame) from August 2nd to 4th, an amazing range of talent was on stage, from debut performances of up and coming artists, to the famed legendary veterans still bringing their muse, and all playing their hearts out.
The standard bearer of the NJF, George Wein
, at 93, the founder, original artistic director, and now the chairman of the Newport Festivals Foundation, is still very much present and engaged in the critical role of supporting, educating and promoting this vital art form, that is truly and uniquely American.
Moving from stage to stage, Wein still made his presence known at the Newport Jazz Festival and was recognized, cheered and genuinely appreciated by audiences and acknowledged in tribute by performing jazz musicians, many of which had their first major stage opportunity at Wein's festival.
Ever the impresario, Wein made the roundsintroducing the festivals Artist-in-Residence, the legendary veteran jazz composer and keyboardist, Herbie Hancock
(who would perform two separate sets this weekend), then moving on to help support a book discussion with Maxine Gordon, who was sharing her life as wife and partner of seminal saxophonist Dexter Gordon
in her book, Sophisticated Giant: The Life and Legacy of Dexter Gordon
just released. Wein was back again Friday night, August 2nd, at the International Tennis Hall of Fame, still going strong, to share a few words on stage about his special guest Jon Batiste
, the New Orleans
' jazz pianist and band leader of The Late Show with Stephen Colbert
, who would be performing that evening with his band "Stay Human" and include other extraordinary musical friends.
Wein's successor as Artistic Director since 2017, Christian McBride
, award-winning up-right bassist, composer, educator, and band leaderhas put his stamp on this year's lineup, adding an incredible mix of diverse musicians. A superbly multifaceted musician with boundless energy and always a smile, McBride has included himself in a variety of band performances at the Newport Jazz Festival since his newly appointed role by Wein two years ago. At this year's festival McBride joined stellar legendary jazz keyboardist Herbie Hancock and esteemed session drummer Vinnie Colaiuta
on stage for an intense set of innovations from a range of Hancock compositions from Maiden Voyage
(Blue Note, 1966) to Head Hunters
(Columbia, 1973) and opening with Wayne Shorter
's classic standard "Footprints."
The festival's line-up again would not disappoint jazz aficionados and newcomers alike with a range of diversity and depth of talent, both young and old, taking listeners from classical straight ahead jazz (Ron Carter
's Trio) to experimental (Sammy Miller and the Congregation) to the funky R&B mix with jazz (Thundercat
) back to the bebop sound and vocalist harmonies of the big band era (The Royal Bopsters
, featuring vocalist Sheila Jordan
) and then to original orchestral compositions performed by an 18 piece band (Darcy James Argue
's Secret Society).
The Artist-in-Residence for this year's event was Herbie Hancock
, returning for the second time since 2014, an icon of the jazz world in every dimension, in addition to 14 Grammy awards and accolades: merging musical genres, exploring directions from the Miles Davis
Quintet to avant-garde releases such as Empyrean Island
(Blue Note, 1964) and on to funk and soul, Head Hunters
(Columbia, 1973) and then electronic pop on Sunlight
(Columbia, 1978) to jazz takes on contemporary songwriting with the multi-Grammy Award winning release River: The Joni Letters
(Verve Records, 2007)a collaboration with close friend and songwriter Joni Mitchell
. Also winning an Oscar in 1986 for scoring the film Round Midnight
based on famed jazz saxophonist Dexter Gordon
's performing life in Europe.
Further expanding his renaissance range, in 2010 Hancock released the critically-acclaimed CD, Herbie Hancock's The Imagine Project
(Sony Music, 2010), winner of two 2011 Grammy Awards for Best Pop Collaboration and Best Improvised Jazz Solo. Utilizing the universal language of music to express its central themes of peace and global responsibility, this release was recorded around the world and features a stellar group of musicians.
At the main stage Friday afternoon August 2nd he received a hero's welcome from a giant crowd of jazz enthusiasts, many of which were heard talking about all the different periods and chameleon-styles they'd heard Hancock embody. The set featured cuts from an eclectic range of recordings including high powered funk from Head Hunters
(Columbia, 1973) with Hancock moving from Steinway piano to Moog synthesizer and then to electronic pop with a cut from Sunlight
(Columbia, 1978). With a veteran band including James Genus
(bass), Lionel Loueke
(guitar and vocals), Terrace Martin
(keyboards and saxophone) and Vinnie Colaiuta (drummer)there was an intense tempo generated. A special guest appearance by 24 year old flutist Elena Pinderhughes
added depth to the performance as she soloed and sang with beautiful tone and range. Taking control from his band on stage, throughout the set, clearly the master's abilities had not diminished at 79 years of age.
Another highlight for this years festival was the Friday evening performance at the International Tennis Hall of Fame featuring Jon Batiste
, the New Orleans' jazz pianist and band leader of The Late Show with Stephen Colbert
, who performed that evening with his own band Stay Human and included other extraordinary musical friends, including Batiste's mentor and acclaimed jazz concert pianist ELEW (formerly Eric Lewis
), 2007 winner of the Thelonious Monk Jazz Piano Competition, and also Ethan Iverson
, jazz pianist of the modern jazz trio The Bad Plus
, and for the 2nd set, jazz vocalist Corinne Bailey Rae
and PJ Morton, keyboard player for Maroon 5 and Grammy award and Dove award winner.
After Batiste took the audience through a version of "America the Beautiful" on solo piano, he took his band Stay Human on a ride through a medley of "Kindergarten" from recent release and then Monk's "Green Chimneys," finishing with Louis Armstrong
's "Sweet Georgia Brown." A tribute to Billy Strayhorn
and Duke Ellington
followed with a rendition of "Take the A Train." The first set also featured a beautiful and elegant original piano composition by Ethan Iverson titled "Showdown." Baptiste introduced a new song, "Creative," just released on Anatomy of AngelsLive at the Village Vanguard
Taking to the stage next with ELEW, both pianists seemed to be in synch as they challenged each other to a competitive duet (on matching Steinways), of complete improvisation, running 10 minutes as they launched from the Darth Vader theme from "Star Wars" to "My Favorite Things" from "Sound of Music" to Stravinsky and possibly the soundtrack for "Beverly Hills Cop." An amazing show of dexterity and command of the piano as instrument and vehicle for experimentation. A standing ovation from the audience followed.
The 2nd set boasted performances by Corinne Bailey Rae, from England, Grammy-award winning singer, songwriter and musician and PJ Morton, New Orleans-based musician (keyboards), singer and songwriter (current band member of Maroon 5) and record producer. The evening's audience were held in a spell by the stage presence and beautiful vocals of Ms. Bailey Rae and the superb musicianship of PJ Morton.
Jon Batiste's message of friendship and togetherness that night between all these gifted musicians on stage with him, carried a much higher meaning about a larger world better unified then divided.
If there was an overall theme for this year's festival, as suggested by Artistic Director Christian McBride, it would be vocalists, " Whether or not you're a jazz fan, almost everyone connects with a vocalist. And this year we're stacked with some of the greatest singers on the planet Earth."