New Jersey resident, veteran educator, group leader and session ace Mike Lee pulls some new tricks out of an old bag on this 2009 quartet date with co-leader/trumpeter Ted Chubb. In the liners, Lee mentions that this aggregation found its origins via recurring jam sessions in his basement. They're a young and noble bunch of jazz warriors ready for battle. The proof lies within this hip session, based on crisp arrangements, resonant soloing and a tight-knit line of attack.
The band benefits from solid material, designed upon memorable hooks and an underlying impression of buoyancy. Lee and Chubb trade the customary fours while spicing matters up with dynamic unison choruses and odd-metered detours. And it's a liberal affair, as the musicians' generate some high-heat when appropriate.
The quartet injects ample doses of pop and sizzle, but counterbalances its hard-hitting gait with memorably melodic themes and variances in hue and pitch. The frontline also executes a literal reading of Charlie Parker's classic bop piece, "Ah Leu Cha," but fuses its individual voices into the bridge with soaring exchanges and heated soloing.
With gently rolling segments and perky excursions, the band covers lots of ground, including a smoky late night ballad that gains steam amid interweaving motifs on "1919 (dedicated to Donald Jacobus)." The quartet doesn't set its sights on reinventing the jazz vernacular. Instead, it's largely about a group-centric ethic, aided by a solid and a diverse track mix. Add ardent soloing to the grand schema, and there lies the bountiful fruit.
Track Listing: Out of Time; Old Dog; New Tricks; Jackie's Day; Ah Leu Cha; J's Other Bag; After Much Discussion; Josie Moves East; Absence; In His Steps; Amble In; 1919 (Dedicated to Donald Jacobus).
Personnel: Mike Lee: tenor and soprano saxophones; Ted Chubb: trumpet; Kellen Harrison: bass; Shawn Baltazor: drums.
Year Released: 2009
| Record Label: Self Produced
| Style: Modern Jazz
I love jazz because it is both challenging and exhilarating, and the endeavor of improvisation is the highest form of art.
I met so many great musicians--including my two earliest heroes, Maynard Ferguson and Dizzy Gillespie--by attending concerts
and being willing to treat them with the respect they deserve.
The best show I ever attended was the Pat Metheny/Ornette Coleman Song X concert at Cornell University.
The first jazz record I bought was an RCA compilation by Dizzy Gillespie.
My advice to new listeners is to not be afraid to listen to something because you're not familiar with the artists or the band or
the genre or anything - this is music that is best experienced through discovery.