101

Robert Ward: New Role Soul

Ed Kopp By

Sign in to view read count
Robert Ward set an awfully high benchmark with his 1990 release Fear No Evil, a comeback album now considered a classic. New Role Soul is the work of a somewhat mellower man who remains an incredible musician at age 64. Propelled by the leader’s intricate guitar playing and animated vocals, this CD sounds better with each spin.

Ward has perfected one of the most original guitar sounds in the blues, thanks in part to his use of Magnatone amplifier. His singing is equally distinctive, though more of an acquired taste. There’s no question the man pours a lot of soul into his music.

New Role Soul contains nine original songs — including three by Ward’s wife Roberta and six by the guitarist himself – as well as four covers. The lyrics convey a sort of mystical optimism, while the music is funky, earthy and pleasingly unconventional.

The tracks "Put Yourself In My Place," "Never Found A Girl" and "Don’t Make No Sense" revisit Ward’s R&B background. (After helping to found the band that eventually became the Ohio Players, Ward was lead guitarist with the seminal soul band the Falcons, and later a session guitarist for Motown Records.) Two of the aforementioned cuts feature a fine four-piece horn section.

Two instrumental tracks — the funky original "Chicken Jerk" and Kenny Burrell’s "Chittlins Con Carne" — present Ward’s guitar prowess in dissimilar formats. The former track shows off that exquisite watery tone Ward displayed so effectively on Fear No Evil. The lengthy slow-blues "Whichever I Receive" flows along like liquid gold. It’s marked by some expressive exchanges between Ward and organ player Kevin McKendree, who also impresses on other cuts. The transcendently soulful "Peace of Mind," and "I Come to Save You" convey a sense of spirituality without too much sermonizing.

Robert Ward is the rare blues guitarist who has developed a truly original style, and New Role Soul is one of his best recordings.

| Record Label: Delmark Records | Style: Blues


Shop

CD/LP/Track Review
Read more articles
Robert Cray Robert Cray
guitar, electric
Albert King Albert King
guitar, electric
William Clarke
harmonica
Earl Hooker Earl Hooker
guitar, slide
Otis Spann Otis Spann
piano
Little Milton Little Milton
guitar, electric
Earl King Earl King
guitar, electric
Joe Louis Walker Joe Louis Walker
guitar, electric
Pee Wee Crayton Pee Wee Crayton
guitar, electric
Big Time Sarah Big Time Sarah
vocalist

More Articles

Read Backlog CD/LP/Track Review Backlog
by Mark F. Turner
Published: February 24, 2017
Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read Before The Silence CD/LP/Track Review Before The Silence
by John Sharpe
Published: February 24, 2017
Read Process And Reality CD/LP/Track Review Process And Reality
by Mark Corroto
Published: February 24, 2017
Read Masters Legacy Series, Volume 1 CD/LP/Track Review Masters Legacy Series, Volume 1
by Edward Blanco
Published: February 24, 2017
Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read "Reflections Of A Voice" CD/LP/Track Review Reflections Of A Voice
by Chris Mosey
Published: January 14, 2017
Read "The Eighth Hour Of Amduat" CD/LP/Track Review The Eighth Hour Of Amduat
by Troy Dostert
Published: January 17, 2017
Read "Visual Music" CD/LP/Track Review Visual Music
by Karl Ackermann
Published: April 27, 2016
Read "Love Song" CD/LP/Track Review Love Song
by Tyran Grillo
Published: September 19, 2016
Read "Travels" CD/LP/Track Review Travels
by Dan McClenaghan
Published: February 27, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!