Tigran Hamasyan has been fascinated with music since the age of two. Born in Gyumri (Armenia) in 1987, he caught the jazz bug at age seven and was soon playing piano and experimenting with improvisation. Studying music formally and practicing constantly, Hamasyan also immersed himself in his native land's rich folk music, which he incorporated into his jazz performances. He won prizes in a number of music contests, though his crowning achievement was his first-place award in the 2006 Thelonious Monk Jazz Piano Competition.
Bassist Francois Moutin and drummer Louis Moutin join him for his second CD, where he shows off his tremendous chops without overpowering the listener, as many a young jazz virtuoso has done in the past. He opens the disc with a two-part piecethe thunderous post-bop "Homesick" and the hypnotic title track, the latter building upon a vamp and gradually growing in intensity, using electronic keyboards for color.
By contrast, his "Leaving Paris" is a somber romantic waltz. The traditional Armenian folk song "Aparani Par" celebrates harvest time, wildly alternating between 14/8 and 5/4 time signatures, adding Vardan Grigoryan on duduk and shivi. Hamasyan's loopy, reggae-accented arrangement of Thelonious Monk's "Well, You Needn't" is humorous, and he takes quite a few liberties with Miles Davis' "Solar" by altering its rhythmic structure and using its theme as a launching pad for his driving improvisation. The leader introduces his infectious "Gypsyology" on organ before returning to piano, conjuring images of a giant outdoor celebration centered on a circle of dancers.
Hamasyan's ability to blend so many musical influences makes New Era stand out from the flood of new CDs.
Track Listing: Part 1: Homesick; Par 2: New Era; Leaving Paris; Aparani Par; Well, You Needn't; Memories From Hankavan And
Now; Gypsyology; Zada es (You're an ill-fated girl); Solar; Forgotten World.
Personnel: Tigran Hamasyan: piano and keyboards; Francois Moutin: bass; Louis Moutin: drums; Varden Grigoryan: duduk (4, 8), shivi (4), zuma (8).
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it. Not in this case! It seems that with every explanation, new questions arise exponentially! It's like the universe is constantly inviting (challenging) you to grow musically.