New Directions could signify a paradigm shift for alto saxophonist Travis Sullivan's eighteen-piece Björkestra, a unit dedicated to performing arrangements of Icelandic pop vocalist Björk. Sullivan goes back to his fundamental mainstream jazz roots on the lyrically rich New Directions, assembled with memorable comps and sterling interplay from his quartet. Sullivan's vocal-like tonalities and muscular alto work casts an acoustic game plan that often yields electrifying results.
Sullivan generates memorable compositions while injecting a spirited aura into the program, making "Tuneology" serve as a fitting analogy for his sensitized approach via a brisk, tight-knit bop groove, interspersed with drummer Brian Fishler's snappy Latin beats. Sullivan's fluent phraseology is wrapped into a full-bodied sound amid his cunning improvisational segments while the rhythm section sizzles, complemented by pianist Mike Eckroth, who dances around the primary theme.
The quartet reaches for the stars on "Tuneology." With memorable licks and gravitating performances, the music attains a higher level of interest, countering the influx of post-bop modernism that sometimes moves forward without much traction or significance. Sullivan abides by a qualitative musical ethic on New Directions.
Track Listing: Jamia's Dance; Autumn In N.H.; Tuneology; Hidden Agenda; Spring Is Here; Georgie; Everybody Wants To Rule The World; Leap Of Faith; Magic Monday; New Directions.
Personnel: Travis Sullivan: alto saxophone; Mike Eckroth: piano; Marco Panascia: bass; Brian Fishler: drums.
I love jazz because it has allowed me to find my own voice.
I was first exposed to jazz as a child through my parents.
The best show I ever attended was Cassandra Wilson and Dianne Reeves. AMAZING!!!
The first jazz record I bought was Carmen Sings Monk.
My advice to new listeners is to listen with your heart and feel with your experiences.