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Third World Love is comprised of three Israelis (trumpeter Avishai Cohen, pianist Yonathan Avishai and bassist Omer Avital) and a native New Yorker (drummer Daniel Freedman). The band has been promoted as a "world-fusion" group and its press clippings hail its appeal to young non-jazz audiences. But make no mistake: Third World Love is a group of serious jazz musicians, with the chops and the resumes to prove it. And while their music incorporates a multitude of Middle Eastern, African and Latin influences, it's blended together into a seamless, organic whole that sure sounds like jazz to these earsmaybe the sound of jazz to come.
Their fourth album continues this exploration of global sounds as a point of departure for some highly intricate, often rapturous improvisations, primarily by Cohen and Avishai. Avital's "Homeland" is a waltz that explores the many musical moods of his native Israel, while Freedman's "La Camerona" has a relaxed Spanish vibe. Cohen's spirited "Nature's Dance" and Avital's Middle-Eastern flavored "Hamina" have steady-driving grooves that should propel bodies out onto the dance floor.
Although there's some somber music here, there's not really much blues on New Blues until the final three numbersthe pianist's slow "Beauty of Death," Cohen's rousing title cut and, as if to dispel any doubts that they can play no-frills jazz, a confident closing take on the Duke Ellington rarity "So."
Track Listing: Joy of Life Intro; Joy of Life; Homeland; Little Echo; La Camerona; Gigi et Amelie; Nature's Dance; Hamina; Beauty of Death; New Blues (Ain't No Thing); So.
Personnel: Avishai Cohen: trumpet and flugelhorn; Yonatan Avishai: piano; Omer Avital: bass; Daniel Freedman: drums.
I was first exposed to jazz through my father who played professionally and nurtured me into music at a young age and had me playing guitar with his quartet in my early teens.
I switched to piano in my mid teens, and with a strong ear for music, managed to put myself through college playing and singing Jazz / Pop / Standards in the late '70s and early '80s in the Dallas, Texas area both as a solo performer as well as with groups.
I have built and operated a number of recording studios and enjoy writing, recording, producing, and performing live.
I also typically cover guitar and bass for my own projects.