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Dan Bern is a folkie at heart. At times too much hype and persona, he might have had us believing otherwise in the past. But his latest release, New American Language, reveals him to be the witty, highly literate singer-songwriter that he is. Absent this time around are the jejune antics that plagued previous releases, leaving a more modest yet largely contemplative collection of folk-rock songs. Instead of wailing about his "big balls," Language finds Bern yearning for a more satisfactory world on the album's title track. "Alaska Highway" is an exceedingly clever jab at American culture, spewing razor-sharp commentary on every phenomenon from Britney Spears to the 2000 presidential election. It is not, however, always the most lyrically prolific tracks that come to light as the most triumphant. "Turning Over" and "Albuquerque Lullaby" ultimately shine, their heart-wrenching vocals exposing a raw beauty in their simple melancholy.
Producer Chuck Plotkin (Dylan and Springsteen) does a fine job with Language. His touch gives the album a clean, crisp sound that manages to escape the redolence of overproduction. Even the tracks that "rock" possess an untried feel despite a moderate amount of polish. Devotees, however, may be quick to point the finger at Bern for the album's more cultivated "pop" tendencies given the less refined quality of his earlier work. But before joining the naysayers consider this: maturation does not always beget compromise.
Track Listing: 1. Sweetness 2. New American Language 3. Alaska Highway 4. God Said No 5. Turning Over 6. Black Tornado 7. Albuquerque Lullaby 8. Tape 9. Honeydoo! 10. Toledo 11. Rice 12. Thanksgiving Day Parade
Personnel: Dan Bern- guitar, harmonica & vocals; Wil Masisak- Wurlitzer, Hammond, Mellotron, piano, accordorgan, guitar, percussion, clarinet, glockenspiel, vocals, bass on "Sweetness"; Eben Grace- guitar, pedal steel, banjo; Colin Mahoney- drums & percussion; Brian Schey- bass guitar, vocal; Paul Kuhn- Cellocaster, violin, vocal; Jake Coffin- drums on "Sweetness"; Clark Jamison- percussion & chanting on "Rice"; Brent Berry- digeridoo & percussion on "Rice"; Scott Watson- tuba on "Thanksgiving Day Parade"; Randy Kaplan- background vocal on "Black Tornado"; Lisa Donnelly- background vocal on "New American Language"
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...