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About the nicest compliment one can pay the DIVA Jazz Trio's debut recording, Never Never Land, is that the threesome's irrepressible enthusiasm and energy (not to mention their consonance and artistry) are reminiscent of the great Oscar Peterson's classic trio with bassist Ray Brown and drummer Ed Thigpen. Pianist Tomoko Ohno isn't Peterson, nor does she try to be, but she dwells in the same exalted realm, while bassist Noriko Ueda and drummer Sherrie Maricle offer stalwart impressions of Brown and Thigpen. If the trio's accord seems remarkable, a part of the reason lies in the fact that it doubles as the rhythm section for the superb all-women's big band, DIVA.
The group's choice of music is as inclusive as it is entertaining. After opening with a happy-go-lucky version of Harold Arlen/Yip Harburg's "If I Only Had a Brain" from The Wizard of Oz, the trio puts a sunny Latin spin on Chopin's graceful "Piano Nocturne No. 6" before addressing exemplary compositions by Horace Silver (the high-octane "Virgo"), Lerner and Loewe, Rodgers and Hammerstein, Fats Domino (yes, Fats Domino) and Cole Porter, plus Betty Comden/Adolph Green's wistful title selection from Peter Pan. Lerner and Loewe contribute "I've Grown Accustomed to Her Face" and "I Could Have Danced All Night," Rodgers and Hammerstein "My Favorite Things" and "Oh, What a Beautiful Morning," and Porter the venerable "Love for Sale." If Domino/Dave Bartholomew's "I'm Walkin'" seems somewhat out of place among those celebrated standards, the trio makes it hum like a high-grade Swiss watch.
Besides working extremely well together, each member of the group is a first-class soloist, an appraisal that is borne out whenever one of them has the floor, while Maricle excels with brushes or sticks, providing taut and tasteful support in every circumstance. Ohno has impeccable technique, swings in every context, and shows she's not only able but eager to roll up her sleeves and get down and dirty on "I'm Walkin.'" As for Ueda, she does far more than simply orchestrate the tempoeven though she's a steady and invaluable time-keeper. She and her teammates make Never Never Land a delightful introductory cruise by three remarkably talented young women.
Track Listing: If I Only Had a Brain; Piano Nocturne #6, Op. 09, No. 2; Virgo; I've Grown Accustomed to Her Face; My Favorite Things; I Could Have Danced All Night / I Won't Dance; Oh, What a Beautiful Mornin'; I'm Walkin'; Never Never Land; Love for Sale.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.