275

NEAR Fest--Prog-Rock is NOT DEAD!

AAJ Staff By

Sign in to view read count
Submitted on behalf of Phil McKenna

NEAR Fest (North East Art Rock Festival)
June 23-24, 2001
Zoellner Arts Center Lehigh University
Bethlehem PA

Well, here we were, a rag tag bunch of prog loving souls descending on bucolic Lehigh U. and causing the locals to wonder if they were being invaded by some bizarre cult that worshipped Mellotrons and Hammond B-3 organs, and renounced 4/4 time and sappy love songs forever. Mostly, they were right!! Despite what the major record companies and the so-called "critical intelligentsia" (whose intelligence I question more times than not) would have you believe, there IS an audience for prog-rock, and always will be, AND THERE'S NOTHING THEY CAN DO ABOUT IT BUWAHAHAHAHAHAHAHAHA!!!! More so, not all prog rock is pompous grandiosity in 27/8 about fairies and cosmic events either.
Rather than attempt and extremely detailed review of each band that played, I will offer up some overall comments.
Birdsongs of the Mesozoic: Great way to open!! For me, they were what would happen if Stravinsky or Bartok watched Sat. morning cartoons, over all it was great fun!! And any band that would do themes from "Rocky and Bullwinkle" or "The Simpsons" is OK in my book!! My only quibble, a live drummer would've been great, sequenced electroniuc drums just don't have the OOOMPH this type of music needs. Outside of that, great show from our Boston boys (right friendly folks too)!
Under The Sun: I lasted about 2 songs here, to me it sounded like Marillion trying to be U-2, or vice-versa. Neo-prog just never did much for me I must admit. Or as I quipped to a couple folks, using my Hans & Franz voice: "Gurly Prog".

White Willow: I LOVED these guys! From first note to last, I was entranced by the beauty of Sylvia Erichson's voice and the subtle, shifting colors of their Nordic folk tinged symphonic prog. They did a couple very beautiful acoustic songs as well. Another reason I loved it, was the fact they weren't trying to blow you away with displays of chops, but really worked as a whole band, creting very vivid colors and textures, kind of made you feel like you were out in the woods at times. In a word HAUNTING!!

Deus Ex Machina: Holy reviving dead languages Batman!! I had to scrape myself off the floor after watching this amazing Italian band! This was a very unique take on fusion, complete with a frantic lead vocalist who sang in Latin!! The ensemble playing was so deadly accurate, lots of dense, intricate lines and harmonies, yet the songs also had breathing room, so I didn't feel like I was being smacked over the head. At times, they made me think of Area meets Mahavishnu Orchestra, very mesmerizing and powerful (kudos also to the keyboardist and his wonderful use of vintage gear like a Mini Moog, Rhodes piano and Hammond organ, gotta love those old analog sounds!)

Porcupine Tree: Flame suit ready for this one. I have to be honest, I don't understand what all the fuss was about. It struck me as just simplistic Pink Floyd (90's era) meets techno. I chose to sit this one out after a couple numbers. Otherwise, I would've been seriously SNOOZING!

And this is what happened on stage on Day 2:

Bright eyed and bushy tailed after a resolutely unhealthy breakfst (DINERS RUUUUUULLLLLEEE!)it was time for round 2(ding!!)

Underground Railroad: WOW!! These guys on just sheer musicianship floored me!! To me, it was like 70's Gentle Giant meets 90's Allan Holdsworth!! Great guitar and keyboard interplay and a lot of cool, mysterious sounding harmonies and chords eminated here. My main quibble though was that this band needs either a full blown lead vocalist (as the vocals were not very strong at all), or to just go completely instrumental altogether (the option I'd personally prefer). It definitely shows great promise if they just make a decision on that one point.

Djam Karet: In short, I would describe them as a high-energy heavy metal instrumental outfit with definite King Crimson influences and they just rocked the house! Sporting a new bassist who never had contact with the stage at all (he was a scream to watch), Djam Karet just tore it up with a good sampling of over ten years of their repetoire. In KC-like fashion, there were tasteful interjections of keyboards where needed, tight ensemble play and just the sense they were having a blast on stage!! Metal shards abound!!


Tags

comments powered by Disqus

More Articles

Read Earl Thomas At Biscuits & Blues Live Reviews Earl Thomas At Biscuits & Blues
by Walter Atkins
Published: July 22, 2017
Read My Morning Jacket on The Green At Shelburne Museum Live Reviews My Morning Jacket on The Green At Shelburne Museum
by Doug Collette
Published: July 22, 2017
Read Garana Jazz Festival 2017 Live Reviews Garana Jazz Festival 2017
by Nenad Georgievski
Published: July 20, 2017
Read "Jim Beard And Jon Herington At The Kennett Flash" Live Reviews Jim Beard And Jon Herington At The Kennett Flash
by Mike Jacobs
Published: June 29, 2017
Read "Grand Union Orchestra at Wilton's Music Hall" Live Reviews Grand Union Orchestra at Wilton's Music Hall
by Duncan Heining
Published: June 20, 2017
Read "Festival International de Jazz de Montreal 2017" Live Reviews Festival International de Jazz de Montreal 2017
by John Kelman
Published: July 7, 2017
Read "Peacemaker Music & Arts Fest 2016" Live Reviews Peacemaker Music & Arts Fest 2016
by C. Michael Bailey
Published: September 17, 2016
Read "Internationales Jazz Festival Münster 2017" Live Reviews Internationales Jazz Festival Münster 2017
by Henning Bolte
Published: January 26, 2017

Support All About Jazz: MAKE A PURCHASE  

Support our sponsor

Upgrade Today!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.

Donate!