202

Nate Wooley: Doin' It All All For My Baby & Nididhyasana

Martin Longley By

Sign in to view read count








Evil Eye
Doin' It All For My Baby
KMB Jazz
2007


Steve Gauci
Nididhyasana
Clean Feed Records
2007




New Jersey resident Nate Wooley contributes a major trumpeting voice to this pair of quartet discs. His sound is not one to ignore. Besides possessing a notable deftness of phrasing, he's also equipped with a tonal range that either rips into the ears, making its immediate mark, or seduces softly when negotiating its quieter spells. Wooley is comfortable with excess and restraint alike, even though the resultant sounds can often be far from comfortable.

Evil Eye is co-led by tenor saxophonist Jonathan Moritz and drummer Mike Pride, although the latter comes across as the dominant force in a live setting, perhaps because his approach is so extroverted, in the powerhouse complexity fashion. The remaining member is bassist Ken Filiano and he's the only player who doesn't contribute a composition. Placed right at the start of Doin' It All For My Baby, the second album from the band, to scare away complacent listeners, "Amhorikkka makes a strident attack, Pride pounding out an insistent punk beat, over which the horns do their Ornette/Cherry squabble, swiftly skipping into a fanfare theme. Wooley is at his most extreme, sandblasting down his power-surging tubes. At this point, the band is covered in rough textures, but soon engages in a gentler expression. Wooley's lone contribution, "3am Swedetown Bluff , offers space for an extended bass solo, then allows full exposure for the trumpeter's own scaly patina. Pride plays vibraphone on the title cut, revealing a completely contrasting sensitive side, but he's back on the drum offensive during "Moore For Mom , where he batters out a funk rattle that prompts his bandmates into their most ferocious outbreak thus far. Slipping back into meditational mode and to the vibraphone, for "When We've All Rehearsed Our Separate Parts The Real Thing Will Happen , Pride and the Eye also display an appealing line in song-titling.

It might not be too surprising that the standout feature of Brooklynite tenor saxophonist Stephen Gauci's Basso Continuo is the presence of two bassists in a drummerless lineup. Even Wooley's trumpeting can't match the compelling interaction that exists between Mike Bisio and the Norwegian Ingebrigt Håker Flaten. Though listed as four separate tracks, these live pieces of Nididhyasana (recorded in January 2007 at Downtown Music Gallery) have the quality of a suite, a lengthy cracking of a single faultline. The basses are kept wide apart, one in each speaker's spatial extreme, which draws even more attention to their pointillist twanging, or even their twinned droning. As if in keeping with these deep emanations, Wooley concentrates on a muted needling, as if trying to rise above the low thrum. When all four players are coinciding in motion, a termite's nest bustle erupts; but some of the most striking sections are when the two bassmen are left alone to conduct their own conversation. Gauci almost finds himself standing on the perimeter, his warm foxglove tone acting as a soothing agent. Without a drummer, of course, there's little forward motion, the improvisations tending to float in oily suspension. There are parts where all band members are firing off at once and the climactic stretch of "Chitta Vilasa is one such instance.


Tracks and Personnel

Doin' It All For My Baby

Tracks: Amhorikkka; They Certainly Are Not Great Writers; 3am Swedetown Bluff; Doin' It All For My Baby; Moore For Mom; Mend Many More Ills; When We've All Rehearsed Our Separate Parts The Real Thing Will Happen.

Personnel: Jonathan Moritz: tenor sax; Nate Wooley: trumpet; Ken Filiano: bass; Mike Pride: drums and vibraphone.

Nididhyasana

Tracks: Nididhyasana (uninterrupted contemplation); Dhriti (steadfastness); Chitta vilasa (play of mind); Turyaga (beyond words).

Personnel: Ingebrigt Haker Flaten, Mike Bisio: bass; Nate Wooley: trumpet; Stephen Gauci: tenor saxophone.


Shop

More Articles

Read Dan Phillips Returns To Chicago Multiple Reviews Dan Phillips Returns To Chicago
by Mark Corroto
Published: February 21, 2017
Read New, Notable and Nearly Missed Multiple Reviews New, Notable and Nearly Missed
by Phil Barnes
Published: January 25, 2017
Read Blues Deluxe: Colin James, Matthew Curry and Johnny Nicholas Multiple Reviews Blues Deluxe: Colin James, Matthew Curry and Johnny Nicholas
by Doug Collette
Published: January 14, 2017
Read Weekertoft Hits Its Stride… Multiple Reviews Weekertoft Hits Its Stride…
by John Eyles
Published: January 7, 2017
Read Ivo Perelman: The Art of the Improv Trio Multiple Reviews Ivo Perelman: The Art of the Improv Trio
by Jim Trageser
Published: January 4, 2017
Read 2016: An Ivo Perelman Marathon Multiple Reviews 2016: An Ivo Perelman Marathon
by Mark Corroto
Published: January 3, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!