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Tim Vaughn
Webber / Morris Big Band: Both Are True
by John Sharpe
On Both Are True Canadian composers and reed players Anna Webber and Angela Morris reimagine the language of the big band. They extend the tradition through adventurous arrangements spiced with the unpredictability of improv, by co-opting the nimbleness of a much smaller group, and reveling in non-standard techniques. Webber has already garnered plaudits for the work of her Simple Trio with Matt Mitchell and John Hollenbeck, while Morris' ventures such as the Motel Trio boast a lower profile so far. ...
read moreSlavic Soul Party: Live at Barbes: Slavic Soul Party Plays Duke Ellington's Far East Suite
by Chris M. Slawecki
In the late 1990s, visionary percussionist Matt Moran founded Slavic Soul Party, a brass band designed to stretch the boundaries between Eastern and Western European traditional music until those boundaries snap. More than two decades and twenty members later, “New York's Official #1 Brass Band for BalkanSoulGypsyFunk" fully realizes this vision by performing one of Duke Ellington's most famous Billy Strayhorn collaborations: 1963's The Far East Suite, around which Ellington organized a global tour schedule through the Middle East, South ...
read moreSlavic Soul Party: Plays Duke Ellington's Far East Suite
by Angelo Leonardi
Nel jazz contemporaneo la reinterpretazione delle opere passate avviene in due modi diversi. Da un lato c'è chi privilegia la riproposizione fedele dell'originale, partendo da una prospettiva a grandi linee accademica (Wynton Marsalis) fino alla riproduzione letterale di ogni aspetto melodico, timbrico e ritmico (come ha fatto il gruppo Mostly Other People Do The Killing con Kind of Blue). Dall'altro abbiamo la reinterpretazione personale, che può conservare in tutto o in parte l'identità dell'originale oppure creare qualcosa di diverso.
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