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Tadataka Unno
After he spent first 10 years in Japan in his career, he move to the birthplace of jazz, the United States, in 2008 and start from scratch.
He is the member of Jimmy Cobb Trio, Roy Hargrove Quintet (He sadly has become the last pianist of the late great Roy Hargrove for 2016-2018), Winard Harper and Jeli Posse, Clifton Anderson Quartet, Jazzmeia Horn and many more.
He is considered one of the Japanese most gifted jazz musicians and his technique, creativity, balanced sense and beautiful tone continue to mesmerize audiences. Towards the end of their lives, both the legendary Hank Jones and Frank Wess mentored Unno, having the highest trust in his talents. Unno looked up to them not just as mentors in music, but as mentors of life.
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Jimmy Cobb: Remembering U
by Pierre Giroux
The death of Jimmy Cobb earlier in 2020 at 91 years of age marked the end of a singular era in jazz, as well as the career of one of the tastiest drummers in the field. Beginning in the 1950s, Cobb participated in numerous seminal recordings stretching from Miles Davis' Kind Of Blue (Columbia, 1959), John Coltrane's Giant Steps (Atlantic, 1960), Wes Montgomery's Full House (Riverside, 1962), through to a number of stellar trio sessions with pianist Wynton Kelly and ...
read moreGeorge DeLancey: Paradise
by Mark Corroto
Is it acceptable to label a musical recording as “delicious"? If so, it describes bassist George DeLancey's sophomore release Paradise. He presents eight compositions, half from his pen and the remaining from Oscar Pettiford, John Lewis, Thelonious Monk, and Jerome Kern/Oscar Hammerstein. The eight tracks, none of which tops five minutes, are well balanced with solos commensurate with that concept. Delancey is a young man (b.1988) with a very old soul. His music brings to mind the aforementioned ...
read moreKen Fowser: Morning Light
by David A. Orthmann
Throughout Morning Light, Ken Fowser's latest Posi-Tone Records release, he poses a welcome alternative to the fast-lane excesses of some of his peers on the tenor saxophone. The first thing that sets him apart is a medium-weight tone which doesn't crave attention or take up too much room. His sound sets an example to the rest of the band and discourages an overly aggressive, no-holds-barred approach to the music as a whole. Fowser's eleven serviceable, original compositions spring from recognizable ...
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Been Down This Road Before
From: Been Down This Road BeforeBy Tadataka Unno
Paradise
From: ParadiseBy Tadataka Unno
