Home » Jazz Musicians » Maria Grand
Maria Grand
María writes and performs her original compositions with her ensemble, DiaTribe; her debut EP “TetraWind” was picked as “one of the 2017’s best debuts” by the NYC Jazz Record and her full-length album Magdalena was praised by major publications such as the New York Times, Downbeat, JazzTimes, Billboard, JazzIz, and others.. The New York Times calls her “an engrossing young tenor saxophonist with a zesty attack and a solid tonal range”, while Vijay Iyer says she is “a fantastic young saxophonist, virtuosic, conceptually daring, with a lush tone, a powerful vision, and a deepening emotional resonance.”
She is a recipient of the 2017 Jazz Gallery Residency Commission, the 2018 Roulette Jerome Foundation Commission, and the 2019 Roulette Residency. She was nominated for the Jazz Journalist’s Association Up-And-Coming Musician of the Year 2018 and named the 2018 Newcomer Musician for the El Intruso 11th Annual Internation Critics Poll. As an activist in the performing arts, María is a founding member of anti-discrimination group, the We Have Voice Collective. María performs regularly with her own ensemble; she is also a member of Joel Ross’ Parables, has toured with Antoine Roney, as well as with RAJAS, led by Carnatic musician Rajna Swaminathan, and joined Mary Halvorson’s Code Girl in 2019.
She has toured Europe, the United States, and South America, playing in venues and festivals such as the Village Vanguard in New York, La Villette Jazz Festival in Paris, Saafelden Jazz Festival in Austria, the Half Note Club in Athens, Millennium Park in Chicago, Roulette in Brooklyn, the Blue Whale in Los Angeles, the Northsea Jazz Festival (Netherlands), Porgy and Bess (Austria), Bird's Eyes (CH), IloJazz Festival in Guadeloupe, Millennium Park in Chicago, etc.
Tags
Joel Ross: The Parable Of The Poet
by Chris May
The story of jazz is part musical and part social, the two strands interacting to shape, on one hand, the sound we hear and, on the other, the demographic who make it and constitute its audience. Viewed from London, the semiology surrounding New York-based vibraphonist Joel Ross' octet, heard on his third Blue Note album, The Parable Of The Poet, tells a social story as much as it does a musical one. The octet's optics (check the ...
read moreMaria Grand, Michel Portal, Anthony Joseph, J&F Band & Other New Releases
by Ludovico Granvassu
A playlist replete with music that hits you hard and deep regardless of the volume at which it was recordedranging from a compelling album marking the 85th birthday of Michel Portal to the new concept album by Maria Grand [pictured], and a whole bunch of genre-defying projects to keep your spirits high! Happy listening! Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 The Gangsters Le Funk" The Gangsters (Self-released) 0:16 Host ...
read moreMaria Grand: Reciprocity
by Hrayr Attarian
In a mere decade composer and saxophonist Maria Grand established herself as a refreshingly singular voice on the creative music scene. Both as a side-woman and a leader, Grand has matured into an expressive artist with a fluid style and a warm tone. Her second full-length release, the enchanting Reciprocity, well demonstrates Grand's talents in a sparse trio setting. Inspired by motherhood, the recording brims with an exalted joy. Creation, Ladder of Swords" has a deep spiritual aura ...
read moreMaria Grand: Reciprocity
by Angelo Leonardi
«Il più grande onore che ho avuto in questa vita è quello di essere madre. Questo è per mio figlio. Ho scritto e registrato questa musica mentre lui cresceva nel mio corpo». Donald Winnicott, il grande psicoanalista britannico, evidenziava che il bambino nasce già nella mente della madre e avrebbe apprezzato le parole d'amore di Maria Grand, scritte a corredo del suo nuovo disco. Ciò che in psicologia si definisce maternità interiore è quindi centrale in Reciprocity, ...
read moreMary Halvorson's Code Girl: Artlessly Falling
by Jerome Wilson
Guitarist Mary Halvorson has displayed her playing and composing talents in a number of settings, but this second release by her song-based band, Code Girl, is one of the most focused and intense things she has ever done. Halvorson and her quintet constructed music around eight of her own poems, each written in a specific poetic form. The results are fluid and improvisational art songs, in the manner of complex but catchy British art rock groups of the ...
read moreMary Halvorson: Artlessly Falling
by John Sharpe
Not content with having scaled the heights of the guitar pantheon, with the second release from Code Girl, Mary Halvorson also cements her place in a unique genre of her own design. As befits someone who has taken to heart Anthony Braxton's dictum to find her own musical voice, she presents something which is part art song, part indie rock, part mainstream jazz and part free form, but all Halvorson. Mirroring the progression of her trio, first to ...
read moreMary Halvorson: Artlessly Falling
by Franz A. Matzner
Released by Mary Halvorson's Code Girl, Artlessly Falling presents eight new compositions, each of which is structured around a specific poetic form with accompanying lyrics/poems by Halvorson herself. The forms represent a significant diversity of cultural origins and eras, including Japanese Tanka, 12th century Sestina, French Villanelle, and Malay Pantoum. With each of the above sources arguably requiring deep study to become well-versed in, this central conceit might feel like a daring experiment, hubris, or a bit of ...
read morePhotos
Music
Walls and Roses
From: Artlessly FallingBy Maria Grand