“Falzone is a remarkable, in-the-moment improviser -- able, as few virtuosi can, to listen as intently as he sings.”
--Larry Kart, Author of Jazz in Search of Itself (Yale University Press)
Composer and clarinetist James Falzone is working at the intersection of many styles of music including jazz, improvised, classical, and folk traditions. He has been featured on numerous public radio and television shows and has performed in concert halls and jazz clubs throughout the United States and abroad with his own Allos Musica Projects. He has also collaborated with such diverse and visionary artists as Steve Lacy, Richard Stoltzman, Jorrit Dijkstra, Theodore Bikel, Joe Maneri, Fred Lonberg-Holm, Ran Blake, and many others.
He is also a founding member of the highly acclaimed French music ensemble Le Bon Vent, recently featured at the Maison de la Culture in Montreal which broadcasted the ensemble’s live performance on Canadian Public Radio -- one of only a handful of ensembles to have this honor in recent years.
Falzone appears on more than ten recordings as a guest artist, and his 2000 solo recording, The Already and the Not Yet, was hailed by jazz writer and critic Larry Kart as “a work that speaks a unique, potent musical and spiritual language” and Grammy®-winning clarinetist Richard Stoltzman called it “an amazing journey…simply astounding.”
His newest recording, April 2007's The Sign and the Thing Signified, is the first title on his own Allos Documents label. His other recent releases include Le Bon Vent’s Good Night Marc Chagall (Epact) and Jorrit Dijkstra’s Flatlands Collective: Gnomade (Sky Cap).
A composer in many genres, Falzone's music has been performed recently by The Rockford Symphony Orchestra, The South Bend Indiana Orchestra, and The Human Connection New Music Ensemble. He has developed or taken part in projects that have been awarded grants from the Chicago Cultural Center, the Hillary Swing Fund for Creativity, The Consulate General of the Netherlands, The Rotary Foundation, the New England Foundation for the Arts, and the Vermont Arts Council.
Educated at New England Conservatory in Boston, he has been a frequent lecturer on music at L’Abri Fellowship both in the U.S. and Europe and has presented masterclasses and workshops at Notre Dame University, Wheaton College Conservatory, Marquette University, Northern Illinois University. He was also a visiting scholar at the U.S. Naval War College in Newport, Rhode Island, where he assisted the Navy’s Strategic Studies Group in thinking through how musical improvisation could shed light on the ever-changing war on terrorism.