"George DeLancey understands the entire scope and history of the bass, his playing
reflects this and looks towards the future. As a composer, he is without a doubt, one
of the most creative melodists of his generation."
- Todd Stoll, Jazz at Lincoln Center - Education, Vice President
"There really is no need for a musicological or journalistic investigation as you
experience this album. For music as fresh and new as this is, it's best just to let it
sink in over repeated listenings, and trust me, the experience deepens with each
successive visit."
- Loren Schoenberg, National Jazz Museum In Harlem - Founding Director & Senior
Scholar
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"George DeLancey understands the entire scope and history of the bass, his playing
reflects this and looks towards the future. As a composer, he is without a doubt, one
of the most creative melodists of his generation."
- Todd Stoll, Jazz at Lincoln Center - Education, Vice President
"There really is no need for a musicological or journalistic investigation as you
experience this album. For music as fresh and new as this is, it's best just to let it
sink in over repeated listenings, and trust me, the experience deepens with each
successive visit."
- Loren Schoenberg, National Jazz Museum In Harlem - Founding Director & Senior
Scholar
"Deploying exceptional players, DeLancey nevertheless commands the forefront;
he's the driver here, pushing tunes... with zest and an unerring sense of drama. His
solos are crystalline, his placement precise."
- Carlo Wolff, Downbeat
"His command of the elements in harmony, melody, and rhythm is superb, and
displays a sophisticated sense of swing, coupled with maturity in composition and
arrangements."
- James Nadal, All About Jazz
"Bassist George DeLancey boasts a lithe touch and a beautiful tone, but so do many
of his peers on the New York City jazz scene. What sets DeLancey apart is his
sophisticated composing and arranging... DeLancey paints vignettes that evoke the
vibrancy of New York City at every turn."
- JAZZIZ
"The quality is high caliber, rooted in the post-bop lineage of Art Blakey’s Jazz
Messengers: well-written riffs, interlocking ensemble parts and blistering, thrill-ride
solos. Although he’s dedicated to swinging, that hardly means DeLancey is a
conservative-minded player."
- Jack Walton, South Bend Tribune
"It’s filled with modern but timeless post-bop compositions, indelible melodies, and
excellent ensemble playing... top-notch modern jazz that swings."
- Andrew Patton, JazzColumbus Weekly
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