William Gagliardi 4tet: Music is the Meditation

Jumping from linear melodicism to oblique intervallic bursts the leader bridges the spans between what is still referred to as “inside” and “outside” styles in some circles with fluid ease. On the opening tongue twister “Encryptic Hip Bob (that he is)” a syncopated vamp serves as trampoline for the players in various solo capacities. Grassi keeps the beat elastic, scrubbing up lather on cymbals and snapping the figurative towel to the toms. “Oli-skt. Wombfire” is sedate by comparison, at least in its opening minutes, which unfold on the gentle chords conscripted by Wessel’s guitar. Gagliardi’s Trane debt cashes in on numerous occasions particularly during the stretches of sound sheets that blanket several of his more boisterous solos. But it’s an obvious influence he never exploits to the point of exorbitance. Hofstra and Grassi stitch a supportive net of harmonic and rhythmic strength on “Bill & his friends…” that makes the said price of the track’s title a bargain by virtually any attuned ear’s estimation. The leader and Wessel take full advantage of the sturdy underpinning churning out harmonically rich lines steeped in emotive energy that bring the mantra of the disc’s title into immediate consideration.

Gagliardi may have shied from record for the majority of his musical career, but his late blooming appearance in the album arena in no way reflects a paucity of talent. Rather than lament his decision listeners becoming acquainted with his highly personal music are more likely to rejoice at what the future holds. I’m happy to count myself among this number of expectant, newly indoctrinated fans.

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