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Some of the best non-Charlie Parker Influenced Alto blowing...
The musicianship of Rosario Giuliani is exhilarating. His total package of performance, composition, and improvisation is not so much a breath of fresh air as it is a gale force wind blowing across a landscape littered with Charlie Parker/John Coltrane disciples. He has a confident, masculine tone that is at once assertive and tender, betraying bits of Julian Adderley and Eric Dolphy. The upbeat numbers, such as "Mr. Dodo," "September," and "Mimi" burn with a relaxed but determined urgency to express ideas. The ballads "Home" and "Francy’s Song" are thoughtful and lovely, delicate like a flower, durable like a kiss. As a follow-up to the very well received Luggage, Mr. Dodo recommends itself nicely.
Track Listing: Mr. Dodo; September; Home; By Night Forever; The Blessing; Francy
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.