229

Klazz Brothers & Cuba Percussion: Mozart Meets Cuba

Chris M. Slawecki By

Sign in to view read count
Klazz Brothers & Cuba Percussion: Mozart Meets Cuba Few musical marriages can seem more oddly matched than a German classical/chamber trio with an Afro-Cuban percussion ensemble. Yet Mozart Meets Cuba presents astonishing work: Latin explorations of Mozart's timeless melodies that are true to the fire and passion, and to the almost mathematic precision, of Afro-Cuban and classical perspectives. Mozart's compositions remain refined and austerely beautiful (such as his Clarinet Concerto, for example, here presented as "Poema Con Cohiba ), but they rhythmically move forward with a smile and bounce.

Bassist Killian Forster, pianist Tobias Forster and drummer Tim Hahn were trained in classical music in Germany. Together they began to explore crossover music by stretching classical music out with important rhythmic, harmonic and improvisatory aspects of jazz, then formed the Klazz Brothers to explore their KLAZZ (KLAssic JaZZ) music. They befriended Afro-Cuban percussionists Elio Rodriguez Luis (congas) and Alexis Herrera Exteves (timbales) while performing in Havana; their combined ensemble constructs a cross-cultural instrumental quintet that moves between classical, jazz and Latin.

Whatever you call it, the members of this quintet play like virtuosos and brilliantly execute Mozart Meets Cuba. Tobias leads the ensemble with piano playing so sparkling and articulate—especially on "Salzburger Schafferl (from The Magic Flute) —that your ears may think you're listening to Dr. Billy Taylor instead. Later, his piano sets the table on "Calypso Facile (from Piano Sonata, K.545) for a finger-popping bass turn served a la mode with percussion.

Added harmonica and trumpet expands "Don Muerte (from Don Giovanni) into cinematic territory with the sound of a sunset closing a classic Western. "Cuban March also takes a bit of liberty with its original ("Turkish March ) to reshape the familiar melody into hot Latin jazz with explosive percussion/piano sections. It serves a great example for the entire Mozart Meets Cuba concept. You hear the familiar classical melody—but essentially as a starting point for genuine, excellent new music based upon its theme.


Track Listing: Cuban Dance; Danzon De La Trucha; Preludio; Afrolise; Air; Pathetique I; Pathetique II; Pathetique III; Salsa No. V; Czardas; Etude Flight Of The Bumblebee Guten Abend; Anthem.

Personnel: Tobias Forster: piano; Killian Forster: bass; Tim Hahn: drums; Elis Rodriguez: vocals, conga; Alexis Herrera Esteves: vocals, timbales.

Year Released: 2006 | Record Label: Sony Classical | Style: Latin/World


Shop

More Articles

Read Northern Adventures CD/LP/Track Review Northern Adventures
by Jack Bowers
Published: February 28, 2017
Read Collider CD/LP/Track Review Collider
by John Sharpe
Published: February 28, 2017
Read Eos CD/LP/Track Review Eos
by Karl Ackermann
Published: February 28, 2017
Read More Than This CD/LP/Track Review More Than This
by Henning Bolte
Published: February 28, 2017
Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read "Aerials" CD/LP/Track Review Aerials
by Eyal Hareuveni
Published: April 20, 2016
Read "Back Home" CD/LP/Track Review Back Home
by Mark F. Turner
Published: May 6, 2016
Read "The Invariant" CD/LP/Track Review The Invariant
by Mark Sullivan
Published: February 22, 2017
Read "Ensam" CD/LP/Track Review Ensam
by Ian Patterson
Published: August 26, 2016
Read "Twin Talk" CD/LP/Track Review Twin Talk
by Mark F. Turner
Published: September 19, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!