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Listening to saxophonist Rodrigo Amado, while knowing that he is also an accomplished professional photographer, lends insight into his sound and sense of proportion. His trio members, cellist Miguel Mira and drummer Gabriel Ferrandini, share his recognition of arrangement, distribution, and music-making dimensions. Motion Trio is a freely improvised recording possessing balance.
Amado's previous trio recordings with Chicago bassist Kent Kessler and Norwegian drummer Paal Nilssen-LoveTeatro (European Echoes, 2006) and The Abstract Truth (European Echoes, 2009)iintroduced both his bright tenor sound and bold approach to the baritone. Unlike the previous sessions, where the ensemble's sound was built upon muscular engagement and struggle, Motion Trio is more about distribution and, to borrow a photographer's term, framing the improvisation just right.
The three players aren't so much involved in competition, such as the improvisational wrangling often heard during instant composing. Nor do Mira and Ferrandini act merely as a rhythm section for Amado's inventions. The five lengthy pieces and the stylishly petite "Ballad" achieve equilibrium through attentive listening and solicitous playing. The trio gives a nod toward Evan Parker, Barry Guy, and Paul Lytton on "Radical Leaves," ending with the tour de force, "In All Languages" (not to be confused with Ornette Coleman's tune)a meditation or prayer that builds energy, culminating with more rumination than release.
Track Listing: Language Call; Testify!; Radical Leaves; As We Move...; Ballad; In All Languages.
Personnel: Rodrigo Amado: tenor saxophone; Miguel Mira: cello; Gabriel Ferrandini: drums.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.