Moonlight's Back In Style is a swing album. In fact, according to songwriter Nicky Campbell's liner notes, it's a New Swing albumsongs in a classic style but rooted in contemporary experience. Whether this recording heralds a new musical genre or not it's an easygoing and likeable set of songs. Old swing fans should find plenty to enjoy.
The genesis of this album warrants some explanation. Mark Moraghan is an actor, well-known in Britain for his work on top television series including Brookside and Holby City. In 2006 he entered BBC television's celebrity singing competition, Just The Two Of Us, partnered with Natasha Hamilton from girl group "Girls Aloud," and they came second. Songwriter Nicky Campbell has been "making up songs" since the age of 11he came to fame in Britain as a DJ and presenter. The two met during Just The Two Of Us, became friends and started to develop their ideas for songs based on a mutual love of swing.
This is Monaghan's first album as a singer and Campbell's first as a songwriter [Moraghan gains two co-writing credits]. Musically most of the songs are firmly in the swing tradition and Campbell has the ability to create melodies that fit readily into the style. Moraghan's voice is warm and engagingit's not the most powerful of voices but he avoids the mistake of trying to appear "transatlantic" and so he presents an authentic and honest sound. The band, with arrangements by pianist Paul Buck, are excellent throughout and do much to ensure the songs' authenticity. None of the songs last more than four minutes, emphasizing the centrality of the vocal performances and ensemble playing. On the down side the faux-country style of "Many's the Time" and "The Birds are Singing Your Name Again" fails to convince.
Part of Campbell and Moraghan's New Swing concept involves lyrics that reflect their own experiences. In songs like "Love Ran Out of Time" the simple but effective lyrics have a universality to them. On other tracks there are referencesfor example, to satellite navigation, Brooklyn Beckham [son of football superstar David] and DVDsthat may struggle to stand the test of time. In the main, though, the songs tell familiar stories of love, requited or unrequited. "We'll Never Have Manhattan" has the best lines, wittily comparing the less salubrious parts of London with the glamour of New York, and guest vocalist Margo Buchanan works well with Moraghan in creating an atmospheric centerpiece for the album.
Track Listing: Come for the Ride; A Blast From the Past; Moonlight's Back in Style; Angel Don't Cry; We'll Never Have Manhattan; Many's The Time; I'll Make an Exception for You; Through it All; I Got My Hat, I Got My Shoes; Love Ran Out of Time; The Birds are Singing Your Name Again; This Universe of Blue; Wonderfully Wonderful You; You Make This Whole Crazy Story Worthwhile.
Personnel: Mark Moraghan: vocals; Ben Thomas: trumpet; Kevin Harcourt: trumpet; Nick Atwood: trombone; Pete Tantrum: saxophones; Paul Buck: piano and arranger; Steven Sproat: ukulele [8, 11]; Nicky Campbell: acoustic guitar  backing vocals [6, 7, 8, 11, 13]; Maurice Hipkiss: fiddle, pedal steel guitar [6, 11]; Mark Howell: bass; Sam Brown: drums; Clive Miller: drums ; Margo Buchanan: vocals [2, 5, 6]; Gill Edmonds: backing vocals [11, 13].
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me. As a life-long jazz lover, I eventually became a jazz educator and producer/host of a very popular jazz radio program in Los Angeles, California.
I love jazz because it is so free. I can think, feel, and dream to jazz, and it allows my mind to flow and expand, musically and otherwise. I also love jazz because it, much like other forms of music, allows opportunities to bring people from all walks of life together. What makes jazz more significant to me, though, is its historical significance; that is, how jazz served, in part, as a method of bringing communities together, a cultural/social/spiritual conduit.