Momentum is all about bare bones, raw – down to the nitty-gritty improvisations from the Trio of pianist John Wolf Brennan, Gene Coleman who performs on bassclarinet and melodica and percussionist Christian Wolfarth. The liners offer several different interpretations of momentum or – for the moment- whether literal, philosophical or pertaining to musical form or composition. From the opening statements of “Robots Don’t Cough” the duo of Brennan who performs on the prepared piano and percussionist Wolfarth delve into fragmented themes which at times seem surreal or in some instances, unsettling. Coleman’s often industrial or mechanical sounding bassclarinet work on “Situanos” suggests movement along with the fluctuating and quite unpredictable pulse provided by Wolfarth yet the music is often colorful and absorbing -for those who are willing to concentrate. This is not casual listening by any stretch of the imagination! On “Nadir”, the Trio extend notes, employ microtonal sounds and themes, deconstruct and reassemble subtle or faint melodies while Wolfarth fabricates a soft pulse utilizing brush strokes on his snare drum. The music and group interplay heats up on “With a Knot-knowing Smile”, “Grrrvity” and “Harmolodic Outlaws” as the musicians engage in frantic conversation amid clattering percussion along with an almost cyclical sense of movement or “momentum”. It is a fair assumption that these gentlemen are feeding off one another which of course is a key component of successful improvisation yet the music and overall approach does beg for the listener’s undivided attention, otherwise it just won’t work! Momentum is musically if not intellectually demanding as if the trio were engaged in some meditative or trance like ritual yet a true sense of animated movement prevails.....Mission accomplished gentlemen! * * *
I fell in love with jazz through my dad Bobby Hirst who was a jazz pianist for over 50 years around the UK and Europe. He was such a modest man but an incredible musician. I tinkered with piano but found myself drawn to guitar after listening to Wes Montgomery, Joe Pass and Kenny Burrell
I fell in love with jazz through my dad Bobby Hirst who was a jazz pianist for over 50 years around the UK and Europe. He was such a modest man but an incredible musician. I tinkered with piano but found myself drawn to guitar after listening to Wes Montgomery, Joe Pass and Kenny Burrell. Misty by Erroll Garner is one of my favourite tracks. My current choice of guitars are Gibson ES335 & ES175 although I only own Epiphone copies at present. I also play classical guitar and love to play jazz on them. I have recently moved to Leeds from York and hoping to meet new friends in the jazz community.