Sometimes, when a jazz vocalist does a big band arrangement of a rock or pop hit, the results can be classical. Robin McKelle avoids that trap from the very start with her swinging rendition of Steve Miller's "Abracadabra." The lyrics are perfectly suitable for a jazz offering, and the blend of McKelle's voice and the horns is magical.
That cover opens Modern Antique, McKelle's follow-up to her debut, Introducing Robin McKelle (Cheap Lullaby, 2006). Boston-bred McKelle has taught voice at her alma mater, Berklee College of Music, and has sung with the Boston Pops. As she did before, McKelle invested a lot of her personal finances to make this project come to lifecommissioning the arrangements and hiring the musicians.
The ensemble delivers a delightful take on Irving Berlin's "Cheek to Cheek." After the second chorus, the horns come in with a flourish, setting up Chris Gottlieb's tenor sax solo. Though the tenor is in the lead, the other horns provide subtle background, before McKelle comes back in with energy and passion.
One of the more enjoyable songs, on an album that's loaded with them, is "Go to Hell." This low-range piece features muted trumpets in the background and a slick rhythm. McKelle shows some vocal dexterity here, singly softly for the music part but belting it out when it matters. The emphatic points are made solidly by her voice and the horns, in total synch. Throughout, Dan Higgins underscores on the flute.
George Shearing's "Lullaby of Birdland" is given star treatment. McKelle scats worthy of one of her influences, Ella Fitzgerald, and the brass comes through powerfully. McKelle complements this collection of standards with her own composition, "Remember." This original ballad features McKelle's voice, backed only by the piano and the string section.
Like many vocalists, McKelle covers classics. What sets her apart though, is her knack for making them sound almost original with new arrangements, making Modern Antique an appropriate title and a fine collection.
Track Listing: Abracadabra; Comes Love; I Want to Be Loved; Lover Man; Cheek to Cheek; Day by Day; Save
Your Love for Me; Go to Hell; Lullaby of Birdland; Make Someone Happy; Remember.
Personnel: Robin McKelle: vocals, piano (11); Quinn Johnson: piano (1-3, 5, 6, 8, 10); Alain Mallet:
piano (4, 7); Larry Kuhns: guitar (1, 2, 5, 8, 10); Reggie McBride: bass (1-3, 5, 6, 8, 10);
Mike Velario: bass (4, 7); Bernie Dresel: drums and percussion (1-3, 5-7); Nathaniel
Morton: drums and percussion (4, 8, 10); Wayne Bergeron: lead trumpet (1, 2, 4, 5, 7-10);
Gary Grant: trumpet; Joe Magnarelli: flugelhorn (6), trumpet (10); Don Clark: trumpet (1, 2,
5, 7, 8, 10); Larry Hall: trumpet (1, 2, 5, 7, 8, 10); Willie Murillo: trumpet (4, 9); Andy
Martin: trombone (1, 2, 4, 5, 7-10); Jason Thor: trombone (1, 2, 4, 5, 7-10); Charlie
Morillas: trombone (1, 2, 5, 7, 8, 10); Craig Gosnell: trombone (1, 2, 5, 7, 8, 10); Daniel
Ondarza: French horn (3, 6, 10); saxophones (1, 2, 4-8, 10): Dan Higgins, Ray Herrmann,
Bob Shepard, Pete Christlieb (5), Andy Snitzer (7), Mark Visher (flute, 3), Glen Berger
(oboe, 3); strings: Kathleen Robertson (concert master and features), Cameron Patrick,
Peter Kent, Adriana Zoppo, Kirsten Fife, Susan Chapman, John Whitenberg, Christine Wu,
Robin Ross, Miriam Mayer, David Stenske, James Hanna, Peggy Baldwin, Sarah O
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.