If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Pianist Jacky Terrasson has been on a recording hiatus since his 2003 set Smile (Blue Note), but he's back and swinging with this, his first solo outing, revealingly rich in tempos and colors. Terrasson has an ample supply of virile dynamics that can skillfully dip and slide into all sorts of places and moods. It happens here right off with the opener, the Ellington/Mills/Razaf classic, "Caravan. What begins as a turbulent desert windstorm segues into a swaying night journey with a touch of things that go bump in the night. It's an attention-getter for sure. It's no surprise that Terrasson, who likes to take liberties with harmony and rhythm, cites Lennie Tristano among chance-takers he admires.
The set is a mix of standards such as a dissonant "Just A Gigolo unlike any other version, plus five tunes of Terrasson's own. Among the latter "Tragic Mulatto Blues is as eloquent a statement as a lyric-less piece can be, with a call-and-response that makes for riveting listening. Terrasson's classical training is evident here and one can't help hoping this will serve as the basis for a larger work in the future. Clearly he has things to say and the skill with which to express them with his own music, as well as when he depth-charges "Everything Happens to Me. Exuberant, playful, emotional and more, it's good to have him back.
Track Listing: Caravan, Juvenile; Just a Gigolo; You
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!