The superb Ministry of Rites - GRID yields a paradigm for the present day advancement electronics-based music's transmission of depth of expressionism. Amid numerous sound-shaping textures and an abundance of coherent mini-themes, Tobias Fischer and Rent Romus recorded this album remotely without any predefined musical borders. While they often project a mammoth wall of sound, it's all engineered upon mind-altering sonic-scapes and other curiously interesting facets.
The duo slams the psyche into submission, while offering numerous mind-bending propositions. At times there are streaming sounds of a river intermixed with notions of high-decibel machinery gone awry. Other passages are designed with analog wave forms, counterbalanced by Romus' yearning upper register sax lines along with effects-treated voices that spark notions of alien communication, prompting the mind to wander and create.
Feu Follet marches to the beat of a different drummer, as the artists occasionally fuse odd-metered rhythmic elements into shadowy drones and swirling church organ motifs. Contrasts and thought-provoking muses are in abundance, while "Saturine Shores" features Romus' sublime alto sax choruses against harrowing backdrops. The duo also conjures up an impression of despair, shaded with a doomsday narrative, where lucid imagery looms as a prominent manifesto. Compelling, enchanting and chock full of multi-hued emotive attributes, it's a significant work that should not be overlooked.
I love jazz because it gives me freedom of expression.
I was first exposed to jazz from the minute I was aware of my surroundings.
I met Harry Connick, Jr.
The best show I ever attended was Tony Bennett.
The first jazz record I bought was Dave Brubeck Quartet - Time Out.
My advice to new listeners: never stop expanding your horizons.
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