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Sea Breeze Jazz continues to be the major recorder of contemporary big band music. It's reputation for providing a venue for the best that's out there is in no way hurt by the 4th album of the San Francisco-based Jazz Garden Big Band under the leadership of Dave Eshelman. This particular release is dedicated to the life of a family friend and teacher, Milagro del Carmen Orantes.
Arrangements on this CD are Eshelman's, except for one. They feature full throated section voices as well as adventurous solos, including several by Eshelman on trombone, not the least of which is on Horace Silver's "Lonely Woman." There are also some unusual and intriguing combinations of instruments for duets such as "Ralph's Piano Waltz" which features a call and response conversation between the Eshelman trombone and Randy Vincent's guitar. One of the more fascinating tracks is the medley of "A Night in Tunisia" and "Caravan" which opens with dissonant voicing against a backdrop of the opening measures of the Ellington/Tizol classic. For more than 13 minutes the listener is treated to a potpourri of sound emanating from this very large aggregation both in ensemble and in more unusual instrumental combinations. Eshelman's 30 plus years experience serves him well here and in the other well conceived charts he has written for this album. What makes this particular track so engaging is the way it combines the exotic sounds of the camel routes of the Mid East as represented by the alto of Rory Snyder, with the bop underpinning provided by Steve Campos' trumpet. One outcome is the revelation of how the two are closely related. Another winner for the Jazz Garden band and for Sea Breeze. Visit Dave and his group at www.jazzgarden.com.
Track Listing: Catch Me Up; Ralph's Piano Waltz; My Song; Lonely Woman; Delta City Blues; Milagro's Journey; Samba Mozart; One Heart, One Soul; Medley: A Night in Tunisia/Caravan
Personnel: Dave Eshelman - Leader/Arranger/Trombone; Mary Fettig - Alto & Soprano Sax/Flute/Clarinet; Rory Snyder - Alto Sax/Flute/Clarinet; Paul Contos - Tenor & Soprano Sax/Flute; Dann Zinn - Tenor & Soprano Sax/Flute/Wood Flute; Bob Farrington - Bari Sax/Flute/Bass Clarinet; Bill Theurer, Larry Souza, Bill Resch, Steve Campos - Trumpet/Flugelhorn; Dave Martell, Dave Gregoric, Chip Tingle - Trombone; Steve Barnhill - Bass Trombone; Michael Bluestein - Piano; Randy Vincent - Guitar; Seward McCain - Bass; Alan Hall - Drums
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.