Westbrook's opening passage sometimes has a romantic feel to it, slightly acrid harmonies and all. Osborne sidles in after around 2 minutes 35 seconds with a relatively sparse and bleak yet soulful and searingly emotional line. At times it evokes images of deserted rain-swept streets from some forgotten film noir., the sax wandering in and out of tempo as the protagonist walks between pools of lamplight. This episode proves to be the prologue of an exciting, formidably inventive improvisation (eight-and-a-half minutes in all) developing into a hard-bop-flavoured solo. This eventually gives way to Miller, who finally sets up a riff that leads into the previously-unstated theme of "When Young." ..." Get Better ... begins with an insistent ostinato doubled by sax and bass, over which Westbrook floats the melancholic but beautiful theme. In due course Osborne peels off for his solo. This beguiling tune inspires possibly the most lyrical and graceful solo he committed to record.
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