Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Mike Mainieri: Man Behind Bars

John Kelman By

Sign in to view read count
Mike Mainieri / Marnix Busstra QuartetDee Carstensen and Marnix Busstra

The last couple years have been rough for Mainieri and Carstensen, as she was diagnosed with liver cancer, and Mainieri devoted much of his time to seeing her through surgery and treatment. In fact, with Carstensen becoming ill around the time of Northern Lights' release, Mainieri didn't have the time to promote it the way he'd have liked, and is considering reissuing it—which would be a great idea. The best news is that Carstensen's health has improved significantly, and Mainieri has begun refocusing his energies back on music. In addition to working on the new American Diary project, he's released an album with Dutch guitarist Marnix Busstra and his trio, Twelve Pieces. Mainieri first met Busstra in the guitarist's more electric, fusion-centric band. "I overdubbed some tracks with this fusion band, and we did some gigs in the Netherlands," Mainieri says. "My agreement [for business reasons] with him was that I wouldn't play outside the Netherlands."

While the fusion project wasn't a particularly happy fit for Mainieri, it did lead to something else. "I hadn't played in a quartet with a guitarist in years," Mainieri explains, "and Marnix fell in love with the American Diary record. He wanted me to do another tour with the group [after touring with the fusion group]. But I didn't want to; I wasn't having too much fun with that band musically. So he said, 'I'm gonna write some stuff like American Diary.' We did a couple tunes and it was fun. And when I appeared on the album, it was first released in Europe as Marnix Busstra Trio Featuring Mike Mainieri. He said, 'Do you think you could get any gigs in the US?' I said, 'No, honestly.' So he asked 'Do you think we could tour Europe?' I said I couldn't, because I'd piss off my European agent, but I said I'd put the record out here for him to get more exposure, but it'd be better to put our names together for him to get the exposure."

And so, the NYC Records edition of Twelve Pieces is credited to the Mike Mainieri/Marnix Busstra Quartet. The pairing of guitar and vibraphone has rarely sounded this good. As to whether or not the relationship will continue? "There are lots of excellent vibraphonists over there," Mainieri says. "So we'll see what happens. But Marnix is a really good guy. Twelve Pieces is a nice record and I was happy playing with him. I think there's a double live CD that he wants to get out. The label he was on wanted to record Twelve Pieces with one overhead mike, a stereo record—like an audiophile label—and we couldn't hear each other. The studio was huge, built for chamber orchestra, and it was a like playing in a basketball court. But when we went on tour, we recorded it and I think he's going to release that plus some other pieces that were really happening."

L'Image 2.0 and The Future

2009 also saw the release of 2.0, the decades-overdue debut from L'Image. The group has since done some touring, and there's a live CD and DVD coming up in 2010, from the group's first tour in 2008. "It was fun playing with these guys again, and it was a pretty successful tour," Mainieri enthuses. "The first gig was a festival, which was kind of a disaster because they spread us out on a big stage and we couldn't hear each other—it was televised and, of course, probably put up on YouTube. But all the clubs we played at, it was fine, it was happening. It turned out to be a successful tour and we're playing the Iridium this week [fall, 2009], so that should be a blast."

2.0 features a number of tunes played by L'Image back in the day, including the title track to Love Play. It's a treat to hear Spinozza featured—both as a player and with three compositional contributions—as he's guitarist who's remained busy as a session player in the ensuing years, but has never received the credit he's due. It's also great to hear Gadd's finessed groove on tracks like Warren Bernhardt's opening, gospel-tinged "Praise," a tune that could easily have fit into the repertoire of Stuff, Gadd's groove-driven collective from the 1970s. Finally, it's a rare opportunity to hear Tony Levin—who, in the last couple decades, has been more associated with progressive and art rock artists like King Crimson and Peter Gabriel—return to a jazz context. Once again, it's not about ability, it's about choice, as Levin easily winds his way through Maineri's more sophisticated changes on "Reunion" and the knotty but swinging "Gadd-Ddagit!"

Mike Mainieri / L'Image L'Image 2008, from left: Mike Mainieri, Tony Levin, Steve Gadd

Mainieri has also been talking about a Steps box set, a possibly six-disc set of live performances, which would be welcome as well, since the last Steps release was 2002's Holding Together (NYC), featuring an acoustic incarnation of the group with saxophonist Bob Berg (who died tragically in a car accident in December of that year), Eliane Elias, Marc Johnson and Peter Erskine. He also has a set of duets in the can with saxophonist Charlie Mariano, who sadly passed away in 2009. "That'll be my next release, along with a solo vibes recording," Mainieri says. "Charlie and I did a duo performance at an art gallery, maybe six years ago. I was on my way home and working my way through Cologne and Nice, and someone calls me and says, 'You've never played with Charlie!' And so there was this opportunity to play two or three concerts, and we had so much fun; it was pretty amazing. When I went back to record I really wanted to record with him as a duet. But when I got there, there was a drummer and bassist, and I said, 'OK that's fine.'"

But the session didn't go off without a snag. "On my way to Cologne I was carrying my bars with me and I crushed my hand in a subway door on the way to the recording session," Mainieri says. So it was kind of a drag. I had to use a different grip when I did the album, and the album was a lot of Coltrane stuff—mostly his ballads and standards. It's not your typical 'Trane album. Charlie'd been ill for quite a while, he was just about 80 or 81, and he was battling prostate cancer. But I went in, we did it in a day and it was all one or two takes. And there were some really nice moments. I I thought I should put the record out, and that's gonna be released. Charlie was a lovely man and a great player."

So, nearing 72, Mainieri not only has a lot on the go, but he's continuing to expand his musical horizons and work in a wide range of musical contexts, ranging from the straight-ahead to the electro-centric. "I have a lot of stuff in the can and I have to do it while I'm still vertical," says Mainieri. Here's hoping he stays that way for a long time to come.

Selected Discography

Mike Mainieri/Marnix Busstra Quartet, Twelve Pieces (NYC Records, 2009)

L'Image, 2.0 (NYC Records, 2009)

Mike Mainieri, Northern Lights (NYC Records, 2006)

Steps Ahead, Holding Together (NYC Records, 2002)

Mike Mainieri, An American Diary: The Dreaming (NYC Records, 1997)

Mike Mainieri Quintet, Live at Seventh Avenue South (NYC Records, 1996)

Mike Mainieri, An American Diary (NYC Records, 1995)

Mike Mainieri, Man Behind Bars (NYC Records, 1995)

Mike Mainieri, An American Diary (NYC Records, 1995)

Steps Ahead, Vibe (NYC Records, 1995)

Steps Ahead, Live in Tokyo 1986 (NYC Records, 1994)

Steps Ahead, Yin-Yang (NYC Records, 1992)

Steps Ahead, N.Y.C. (NYC Records, 1989)

Steps Ahead, Magnetic (Elektra Musician, 1986)

Steps Ahead, Modern Times (Elektra Musician, 1984)

Steps Ahead, Steps Ahead (Elektra Musician, 1983)

Dire Straits, Love Over Gold (Warner Bros., 1982)

Mike Mainieri, Wanderlust (Warner Bros./NYC Records, 1981)

Steps, Paradox (Nippon Columbia/NYC Records, 1982)

Steps, Step By Step) (Nippon Columbia/NYC Records, 1981)

Steps, Smokin' in the Pit (Nippon Columbia/NYC Records, 1980)

Mike Mainieri, Love Play (Arista, 1977)

Mike Mainieri & Friends, White Elephant (Just Sunshine/NYC Records, 1972)

Buddy Rich, Classic Emarcy, Verve, GRP Buddy Rich Sessions (Mosaic, 1965- 1961)

Photo Credits

All Photos Courtesy of Mike Mainieri


Related Video

comments powered by Disqus

More Articles

Read Julian Priester: Reflections in Positivity Interview Julian Priester: Reflections in Positivity
by Paul Rauch
Published: December 8, 2017
Read Aaron Goldberg: Exploring the Now Interview Aaron Goldberg: Exploring the Now
by Luke Seabright
Published: November 24, 2017
Read Pat Metheny: Driving Forces Interview Pat Metheny: Driving Forces
by Ian Patterson
Published: November 10, 2017
Read Bill Anschell: Curiosity and Invention Interview Bill Anschell: Curiosity and Invention
by Paul Rauch
Published: November 9, 2017
Read Tomas Fujiwara: The More the Better Interview Tomas Fujiwara: The More the Better
by Troy Dostert
Published: November 6, 2017
Read "Dave Holland: Consummate Bassist" Interview Dave Holland: Consummate Bassist
by Lazaro Vega
Published: April 21, 2017
Read "Jack Wilkins: Playing What He's Preaching" Interview Jack Wilkins: Playing What He's Preaching
by Rob Rosenblum
Published: December 29, 2016
Read "D'Vonne Lewis: It's About the Love" Interview D'Vonne Lewis: It's About the Love
by Paul Rauch
Published: December 22, 2016
Read "Andy Summers: Creating Light from Dark" Interview Andy Summers: Creating Light from Dark
by Nenad Georgievski
Published: August 31, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!