All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Think back to the time you heard a song out of the blueon the radio, say, or at a friend's at a wee hours listening sessionthat sounded so fresh and new that it stunned you. Sounds that seemed to sparkle out of the speakers like something from the Fourth of July. Something like Elvis on Sun; Dylan's new electricity in '65; Joanie Mitchell claiming to be raised on robbery; Hendrix howling about the Watchtower; Billie Holiday lamenting the strange fruit.
Maroon's Migratory is that same ionized experience
Maroon is vocalist Hillary Maroon and keyboardist Benny Lackner, joined by bassist Andrew Emer and a rotating trio of top notch drummers
The CD opens with what, in a perfect worldwhere the play list hasn't been pasteurizedwould rise up the charts as a hit. "Welcome to Brooklyn", a song that throbs into existence on a catchy six note bass throb, followed by Hillary M's spoken question: "What the hell am I doing here?" that she follows up on by soaring into song. She sounds like Judi Silvano mixed With Carmen McCrae and Cassandra Wilson, while Benny L. pounds out some Fender rhodes dissonance like a glass wind chime in a stiff breeze. Dissonance that then swirls into delicate melodic hooks tendrilling around Hillary's horn-like (from soprano sax to flugelhorn) vocals.
The music on the CD will beg the "but is it jazz" question; and not that it matters but it undeniably is on Ellington's "Caravan" and a dark blue, quirky, percussive version of Duke's "Asure". And the Charlie Haden/Abbey Lincoln gem, "First Song" is jazz; but if Dylan's weary and resigned (his version; Maroon's holds out hope) "Love Sick" isn't, it is a remarkable and surprisingly lovely rendering of a tune suffused with a growling, low down disgust concerning that thing called love. Hillary Maroon's wry "Stray Boy Blues" is another made-to-be-a-hit-pop-song tune, her ode to the those exasperating young dandies she can't help but love.
What the hell is she doing here? She and Benny Lackner are making some of the freshest, finest new music around.
Track Listing: Welcome to Brooklyn, In the Path of Your Gaze,Dreams, Migratory,she's So Lovely, Caravan, Played Yourself, Azure, Love Sick, Stray Boy Blues, First Song
Personnel: Hillary Maroon, voice; Benny Lackner, keyboards; Andrew Emr, bass; mark Tewarson, guitar; Mark Ferber, drums; Allison Miller, drums; Pheeroan akLaff, rums; J Why, percussion, producer
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.