All About Jazz

Home » Articles » Live Reviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

5

Midge Ure at Revolution Music Hall

Mike Perciaccante By

Sign in to view read count
Midge Ure
Revolution Music Hall
Amityville, NY
September 30, 2016

Midge Ure is a Grammy-winning Scottish guitarist, singer, keyboard player, and songwriter. He has achieved success as a member of Slik, The Rich Kids, Thin Lizzy, Visage, Ultravox and as a solo artist. During his career, he has won numerous awards and accolades, has recorded a number of gold and platinum albums and singles and co-wrote "Do The Know Its Christmas?" with Bob Geldorf. Along with Geldorf, Ure also co-organized Band Aid, Live Aid and Live 8. Ure was also recognized by the Queen of England when she bestowed upon him the OBE (Officer of the Order of the British Empire) rewarding his contributions to the arts, work with charitable organizations and public service.

Ure's musical career is just as intriguing and interesting. In 1972 Ure joined a cover band called Salvation as its guitarist. In 1974 the band changed its name to Slik and Ure took over as vocalist and the band began performing original material (some provided by Bay City Rollers' writers Bill Martin and Phil Coulter). In 1975 Ure turned down an offer to be the lead singer of the Sex Pistols. By February 1976, Slik had scored a number 1 single in the UK with "Forever and Ever." The band changed its name to PVC2 and adopted a more edgy style. Soon after, Ure left to form Rich Kids with former Sex Pistol Glen Matlock. In 1978 along with former Rich Kids band mate Rusty Egan and vocalist Steve Strange, Ure formed Visage. In 1980 Visage was signed to Polydor Records and had a hit single with "Fade to Grey," a song written by Ure but sung by Strange.

Ure also spent time as a member of Thin Lizzy. In July 1979, he stepped in to help Thin Lizzy complete a US tour following the sudden departure of guitarist Gary Moore. During his tenure with the band, in addition to touring in the States, Ure was also part of the group's Japanese tour. At the end of the tour, Ure left Thin Lizzy to work on his newest (at the time) musical project Ultravox.

During his time in Visage, Ure and Billy Currie had become close. The two musicians decided that they should resurrect Currie's former group, Ultravox—this time with Ure as bandleader, singer, songwriter, guitarist and second keyboardist. This new version of Ultravox featuring Ure, Currie (keyboards, violin), Chris Cross (bass) and Warren Cann (electronic drums) became the band's "classic" lineup. This lineup recorded the critically praised Chrysalis studio albums Vienna (1980), Rage In Eden (1981), Quartet (1982) and Lament (1984).

Following his work with Geldorf on the Band Aid project, Ure, during a break from Ultravox, released the solo single, "If I Was," which went to number one in the UK. His debut solo album, The Gift (Chrysalis, 1985), reached number 2 in the UK charts. Soon, Ure was concentrating exclusively on his solo career. The albums Answers to Nothing (Chrysalis, 1988), Pure (BMG, 1991), Breathe (BMG, 1998) and others were released with varying success in the UK, but, unfortunately, with only a cult following in the US.

In the ensuing years, Ure has continued to record and release CDs, perform solo, acoustic and with a full band. His given first name is James. His stage name, Midge, is the phonetically reversed pronunciation of Jim which is short for James.

The first night of his 2016 US tour touched down in the cozy Long Island hamlet of Amityville at Revolution Music Hall on a chilly and damp Friday in late September. Though the club was only about half-filled, the audience was thrilled to be there. One middle-aged fan was overheard saying that he "never got a chance to see him back in the day. I can't wait to see this tonight. I had to come. I'm hoping that I'll run into some old friends here tonight."

The evening began with short early sets by local bands Color Film and the Ritualists. As the evening progressed and the audience got a tad bigger, DJ Andre, formerly of WLIR 92.7 FM and currently heard on www.wlir.fm, appeared and took over behind the mixer, CD players and turntables. Immediately, the night's soundtrack and ambiance was improved by the unforgettable selection of alternative, new wave and modern rock songs pumped through the club's speakers.

Following a short but sturdy set by Richard Lloyd, a founding member of the new wave trailblazers Television, Ure and his band took the stage. Initially, the opening number, "Dear God" suffered from unintended distortion and feedback, but once the technical difficulties had been corrected, Ure and the band delivered a powerful and timely version (given the political climate in the US in 2016) of the plaintive song with its...

"Give me, love for the lonely
Give me, food for the hungry
Give me, peace in a restless world
Give me, hope for the children
Give me, a worldwide religion
Give me, peace in a restless world"

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Enjoy Jazz 2018 Live Reviews
Enjoy Jazz 2018
by Henning Bolte
Published: November 14, 2018
Read Jazz for all Ages Live Reviews
Jazz for all Ages
by Martin McFie
Published: November 14, 2018
Read Baku Jazz Festival 2018 Live Reviews
Baku Jazz Festival 2018
by Ian Patterson
Published: November 13, 2018
Read Joanna Pascale at Chris' Jazz Cafe Live Reviews
Joanna Pascale at Chris' Jazz Cafe
by Victor L. Schermer
Published: November 13, 2018
Read Moldejazz 2018 Live Reviews
Moldejazz 2018
by Martin Longley
Published: November 10, 2018
Read Nik Bärtsch's Ronin At The Bop Stop Live Reviews
Nik Bärtsch's Ronin At The Bop Stop
by Matt Hooke
Published: November 10, 2018
Read "Charlie Parr At Higher Ground" Live Reviews Charlie Parr At Higher Ground
by Doug Collette
Published: August 4, 2018
Read "Matthew Shipp Trio at SFJAZZ" Live Reviews Matthew Shipp Trio at SFJAZZ
by Harry S. Pariser
Published: December 19, 2017
Read "Bruselas Flamenco Festival 2018" Live Reviews Bruselas Flamenco Festival 2018
by Martin Longley
Published: March 17, 2018
Read "Big Ears Festival 2018" Live Reviews Big Ears Festival 2018
by Mark Sullivan
Published: April 13, 2018