For the love of performing jazz, latin and electronica on the alto trombone
At the age of 8, piano was Michael’s first instrument. The egg timer was set by his mother
for 30 minutes every day atop the small spinet piano in the living room. Regardless of
other goings on tugging at Michael’s interests, piano practicing always came first.
At age ten, Michael discovered the trombone. No longer did practicing need to be
mandated. Playing trombone would become his favorite activity fueling a passion that
would last a lifetime.
Michael attended Arizona State University where he studied with renowned jazz educator
Dan Haerle. It was at ASU where he first saw an alto trombone, the odd instrument he
would play for the rest of his career. His trombone teacher at ASU, a graduate assistant
named Kevin Hedges owned an alto and first introduced it to Michael.
Professionally active and pursuing a jazz performance degree, abandoning the tenor
trombone in favor of this beautiful instrument of clarity and efficiency was not a practical
move. Nonetheless, Michael was determined to make it his musical voice. From that point,
it would become the instrument he would play professionally and exclusively.
Mid-way through his ASU education, Michael was awarded a National Endowment of the
arts grant to study for a summer with Frank Rosolino. In November prior to the summer of
study with Frank, Michael learned of Frank’s tragic death. Looking for an alternative that
would be acceptable to the National Endowment board, Michael reached out to avant garde
trombonist George Lewis. George, he learned, would be teaching that summer at the
Creative Music Studio in Woodstock NY, and welcomed the opportunity to work with
Michael. He was exposed that fascinating summer not only to George Lewis, but would also
study with Anthony Braxton, Roscoe Mitchell, and other members of the Art Ensemble of
After ASU, as Michael traveled and performed throughout the country, he settled for a
while in Boston where he joined a four-trombone salsa band called Caribbean Express. A
year after joining the band they signed with A&M Records and upon the release of their
debut album were nominated for a Best Latin album Grammy.
Next, Michael moved to New York City where he played professionally for 10 years. Michael
performed in a variety of settings playing mainly jazz and latin music with notables like
Lalo Rodriguez, Frankie Ruiz and for several years was Ray Barretto’s trombone player.
Michael eventually moved back to his beloved Phoenix Arizona where he regularly performs
throughout the valley. Having spent the past 20 years collecting state-of-the-art and
vintage audio gear, Michael has rebuilt his impressive recording and performance studio
where he recorded his latest album, “Roads Less Traveled”.
Michael Lives with his two young sons and enjoys hiking and biking in the nearby
mountains of Cave Creek.