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Mynta was founded in 1979 by Swedish bass guitarist Christian Paulin as a jazz fusion band. Nowadays, the band bills itself as "Nordic ice and Indian spice" and claims to play Indo-jazz fusion. It's difficult to discern any jazz though, as this seems rather a bizarre mix of mainly folk influences from all manner of musical traditions.
Meetings in India features, among other delights, the historic meeting of India's Fazal Qureshi's "mouth percussion" and vocalist Kerstin Sonnback's revival of the lost art of kulning (Swedish herding calls) on "Ganglat Fran Laggars."
Guitarist Max Ahman is Swedish, but claims to have been greatly influenced by Irish music, giving vent to it on "Desert Jig." The album also boasts a Vietnamese Reggae (that's what it says), a samba and, last but not least, a tarantelle, "originally a Middle Ages dance that supposedly resulted from the bite of a poisonous spider." The words are those of its composer, reed player Dallas Smith, who hails from Reno, Nevada.
Mynta undoubtedly mean well. "The Dance Of Life," also composed by Smith, is "intended to take the listener from a peaceful dawn into the rising of the sun, and into a glorious day filled with joy and peace." These wordsthe composer's ownlend new meaning to that old aphorism about the road to hell being paved with good intentions.
Then there is the Cuban influence of fiddler Santiago Jimenez. Percussionist Sebastian Printz-Werner beats on a bewildering variety of instruments, including the African djembe, the Arabian darbouka and the South American cajon. The whole is underpinned by the frenetic rattling of Qureshi's tablawhen he is not, that is, performing with his mouth.
The heavy percussive emphasis tends to swamp all the diverse influences that make up the curious item that is Mynta, which is probably all for the better. Unfortunately, what is left is a polyrhythmic cacophony.
Track Listing: Absolute Samba; Meetings In India; Ganglat Fran Laggars; River Of Winds; Desert Jig; Adios Ferdinando; Gnodon; Vietnamese Reggae; Dark Days; Tarantelle; Seven And A Half; The Fine Line; The Dance Of Life; Tabla Chants; Rag Hindol.
Personnel: Fazal Qureshi: tabla, kanjira, mouth percussion; Dallas Smith: flute, soprano, clarinet, basuri; Santiago Jimenez: violin; Christian Paulin: electric bass; Max Ahman: guitar; Sebastian Printz-Werner: percussion, keyboards; Sridar Parthasarathy: mridangam (2); Kerstin Sonnback: vocals (3); Coste Apetrea: keyboard (3, 7).
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.