159

World Saxophone Quartet: M'Bizo

Derrick A. Smith By

Sign in to view read count
M’Bizo ’s reason for existence is twofold and intertwined. “The M’Bizo Suite” itself was written and choreographed specifically for a 1998 World Cup Carnavalcade held in northern France; this accounts for the theme of European-Asian-African unity, and may help explain the heartening robustness of the disc. As explained by David Murray in the liners, the album is also “for all those great musicians who had to leave their homeland, for those who were able to return and for those who never saw it again.”

Sobering conceits often result in anthemic sloganeering at the expense of musical grace, but with M’Bizo, it’s as if the WSQ and their South African guests internalized the notions of Unity to the point of complete unity of performance. The entire album, true to jazz and to African music, moves like a conversive dance, where the opening gumshoe vocal/Makhoyane-instrument tandem of “Snanapo” is transferred to drums/bass, the horns reduce everything to ecstatic chaos before building melodic statements, given extra harmony and darker shadings by the keyboards, until the listener realizes that behind all this American Jazz Freedom the original South African segment had formed a spine that the WSQ had fleshed out.

The Suite itself is built on the simple chant of “Africa-Europe-Asia” plus wordless syllables, presented first in a slow tempo, then doubled for “Sizelapha”. The album’s richest harmonies and melodies explode in the last two tracks. “Mashidiso” is especially touching. Murray asked the dancers to write verses expressing an expatriot’s longing for the country he had been forced to leave. The graceful song carries a woman’s name, and they - the South Africans and the WSQ - sing the type of “baby, baby” that hasn’t been heard around here in a long time.

Tracks :Snanapo / M’Bizo Suite: Africa-Europe-Asia; Sizelapha; M’Bizo / Matshidiso.

Musicians :David Murray - Tenor Sax & Bass Clarinet / Hamiet Bluiett - Baritone Sax, Bass Sax, Contrabasse Clarinette / Oliver Lake - Alto Sax / John Purcell - Saxello / Ronnie Burrage - Drums / James Lewis - Bass / D.D. Jackson - Piano / Jimane Nelson - Organ / Mabeleng Moholo - Makhoyane instrument / Jaribu Abdurahman - Shahib Bass / Mario Canonge - Piano.

| Style: Modern Jazz


Shop

More Articles

Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read Love Dance CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read Honest Woman CD/LP/Track Review Honest Woman
by James Nadal
Published: February 20, 2017
Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read "Sunkissed" CD/LP/Track Review Sunkissed
by Jeff Winbush
Published: September 11, 2016
Read "Mortality" CD/LP/Track Review Mortality
by Glenn Astarita
Published: September 11, 2016
Read "Rumbler" CD/LP/Track Review Rumbler
by Paul Rauch
Published: January 2, 2017
Read "Afternoon In Paris" CD/LP/Track Review Afternoon In Paris
by Chris Mosey
Published: June 16, 2016
Read "Dark Was The Night, Cold Was The Ground" CD/LP/Track Review Dark Was The Night, Cold Was The Ground
by Mark Corroto
Published: May 1, 2016
Read "Steam In The Casa" CD/LP/Track Review Steam In The Casa
by Nicola Negri
Published: August 15, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!