10

Rob Mazurek Exploding Star Orchestra: Matter Anti-Matter

John Sharpe By

Sign in to view read count
When he was under contract with Arista in the 1970s, reedman Anthony Braxton discovered that he was able to slip under the rug the release of some of his less commercially viable works, such as the mammoth For Four Orchestras (1978), by alternating them with more traditional quartet material. While electro-acoustic composer and cornetist Rob Mazurek won't be pulling the wool over anyone's eyes at the Paris-based Rogue Art imprint, he has achieved a similar outcome by coupling two opposite ends of the sonic spectrum on the double CD set Matter Anti-Matter.

For the disc likely to garner the most interest, Mazurek offers Sixty-three Moons of Jupiter, the fifth outing by his Exploding Star Orchestra featuring AACM stalwart Roscoe Mitchell as part of a 15-piece aggregation of talent from Chicago and Brazil. Recorded live in 2009 in Sao Paolo, this edition of the band forges a dense, percussion heavy sound, leavened by intersecting riffs, muttering electronics, choppy electric guitar and sporadic vocal interludes. Groove-based structures establish a good time celebratory feel, at times recalling antecedents such as Chicago-era Sun Ra.

Mazurek fashions primarily an ensemble music from which occasional solos reach escape velocity during the suite like series of continuous performances. The leader's cornet takes pride of place above an airy groove on steroids on "Europa" while an uncredited bass clarinet (probably Matt Bauder) holds forth in sinewy splendor amid a juddering tribal shuffle on "Callisto the Bear." With such an extensive horn arsenal on hand, special guest Mitchell can be hard to pick out and doesn't appear more prominent than some of the other reeds, although his angular intervals pierce the exchange which emanates from drifting atmospherics on "Almathea is Red." Although the titles are inspired by the moons of Jupiter, the lyrics by Damon Locks don't supply a matching shared theme, as they range so wide as to even include an account of boxer Muhammad Ali's clash with the titular fighter on the lilting "Himalia a Metaphor for Joe Frazier."

The second disc couldn't be more different, comprising as it does solo electronic works by Mazurek, which contain neither meter or melody. Rather each of the five cuts in the 48-minute program features slow moving ambient soundscapes. "Cryogenics After the Land of Spirals" revolves around a shimmering white noise with metallic overtones out of which washes of other textures emerge, invoking analogies such insect like hums, radio signals from another galaxy, and digital raindrops. Abrupt shifts between modes characterize several of the pieces, although "Pondering the Hidden Light" remains in the territory of a wafting organ chug decorated by what might be synthetic birdsong. "Ascension Dream Phoenix" builds up to a crescendo of white noise evoking a massive waterfall, before fading to silence. Common ground between the discs proves hard to find, but that likely misses the point in this Janus-like portrait of Mazurek's concerns.

Track Listing: 63 Moons of Jupiter Disc 1: Lo and Volcanic; Europa; Ganymede and the Ice Parade; Callisto the Bear; Himalia a Metaphor for Joe Frazier; Almathea is Red; Elara Beneath the Underground; Pasiphae Gives Birth to the Minotaur; Solo Electronic Works Disc 2: Cryogenics After the Land of Spirals; Pondering the Hidden Light; Stalking the Spectrum of Inevitable; Last Breath on the Forgotten Planet; Ascension Dream Phoenix.

Personnel: Rob Mazurek: direction, cornet (CD 1), electronics (CD 2), compositions Roscoe Mitchell: alto & soprano saxophones Nicole Mitchell: flutes & voice; Matana Roberts: alto saxophone; Matt Bauder: tenor saxophone; Steve Swell: trombone; Jason Adasiewicz: vibraphone & tubular bells; Kevin Drumm: electronics; Matthew Lux: bass guitar; Mauricio Takara: cavaquino & percussions; Guilherme Granado: samplers & marimba; John Herndon: drums; Mike Reed: drums; Chad Taylor: drums; Damon Locks: voice; Jeb Bishop: trombone (1).

Title: Matter Anti-Matter | Year Released: 2014 | Record Label: Rogue Art


Tags

comments powered by Disqus

More Articles

Read Whispers on the Wind CD/LP/Track Review Whispers on the Wind
by Jack Bowers
Published: October 23, 2017
Read Shropshire Lads: Songs to the Poems of AE Housman CD/LP/Track Review Shropshire Lads: Songs to the Poems of AE Housman
by C. Michael Bailey
Published: October 23, 2017
Read Heptagon CD/LP/Track Review Heptagon
by Glenn Astarita
Published: October 23, 2017
Read ON Tour CD/LP/Track Review ON Tour
by John Kelman
Published: October 22, 2017
Read On a Distant Shore CD/LP/Track Review On a Distant Shore
by C. Michael Bailey
Published: October 22, 2017
Read Friends & Heroes: Guitar Duets CD/LP/Track Review Friends & Heroes: Guitar Duets
by Roger Farbey
Published: October 22, 2017
Read "Peaceful Easy Feeling: The Songs of Jack Tempchin" CD/LP/Track Review Peaceful Easy Feeling: The Songs of Jack Tempchin
by Doug Collette
Published: September 3, 2017
Read "Blues I Felt" CD/LP/Track Review Blues I Felt
by Dan Bilawsky
Published: April 15, 2017
Read "Humanity" CD/LP/Track Review Humanity
by Jim Olin
Published: October 5, 2017
Read "The Picasso Zone" CD/LP/Track Review The Picasso Zone
by Dan McClenaghan
Published: December 11, 2016
Read "Mu" CD/LP/Track Review Mu
by Glenn Astarita
Published: December 30, 2016
Read "Polygon" CD/LP/Track Review Polygon
by Pascal-Denis Lussier
Published: May 21, 2017

Sponsor: ECM Records | BUY IT!  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.