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The so-called Great Guitars was a touring trio of jazz masters: Herb Ellis, Charlie Byrd, and Barney Kessel. Ellis jokingly called their title "modest," but it was accurate, and it remained so when Martin Taylor, a naturalised Scotsman a generation younger, filled in after Kessel was incapacitated.
Taylor's here, but the title's especially precise because it refers to the instruments that he and Steve Howe play. Howe's background might be partly in rock, but it's wholly in an obsession with the guitar which few non-players can share. The late Scott Chinery's obsession was exercised in assembling the mind-boggling collection of rare wonderful instruments photographed here in a thick booklet insert and also recorded on the disc. He was, it seems, generous with them.
Uncannily wonderful, this is a succession of seventeen performances composed by tape-splicing and multi-trackingstunning playing. At one extreme there's a maybe seven-guitar ensemble passage (it's hard to work out the exact numbers), at another Taylor comps on one guitar and solos (or duets, since he comes out of alternate speakers) with successive (approximately) sixteen-second passages on respectively eighteen guitars: "Blue Bossa" comes out as still human, swinging bebop.
Howe hardly plays jazz, but he can accompany as well as solo in styles not remote from Taylor's usual swing-to-bebop acoustic-based playing. Sometimes jazz and sometimes other music (mainstream is a fair approximation), the set has a nice programme balance between differently paced and variously scaled performances. As curiosities or anything else go, it's all exceptionally musical, and loving. Charlie Byrd is presumably listening in a double heaven.
Manzer, Comins, Megas, Triggs, Buscarino, and other guitar types: the booklet will be for some a volume of poetry, for some a tiny art book. The only things like it are collector's items, or CDs designed to soothe, surely none represent such virtuosity or such musicality. Forget the strangenessit's hard to think of any comparable result of such enormous dedication the venture represents. Scott Chinery's guitar collection and generosity with it was startling, this project more so. Tragically, it's also his memorial.
Track Listing: 1. Two Teardrops (Howe, Taylor) 3:32 ; 2. No Pedestrians (Taylor) 3:31 ; 3. Smile (Chaplin, Parsons, Turner)2:58 ; 4. La Questa (Taylor) 1:40 ; 5. All the Things You Are (Kern) 4:27; 6. Thought Waves (Howe) 3:13 ; 7. Thank Heaven for Little Girls (Lerner, Lowe) 3:29 ; 8. Ginger (Taylor) 4:23; 9. Blue Bossa (Kinny Dorham); 5:22 ; 10. Tailpiece (Howe) 4:47; 11. Cherokee Ridge (Taylor) 3:20 ; 12. The Sunshine of Your Smile (Cooke, Ray) 3:04 ; 13. Goofus (Harold, Kahn, King) 2:07 ; 14. Moon River (Mancini, Mercer) 3:26 ; 15. Ae Fond Kiss/Farewell to Erin (trad.) 3:31 ; 16. Somewhere (Bernstein) 2:46 ; 17. Harpnosis (Howe, Taylor) 4:47
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...