934

Marian Anderson Award Gala Honors Bill Cosby with Jazz and More

Victor L. Schermer By

Sign in to view read count
11th Annual Marian Anderson Award Gala
Bill Cosby, Honoree
Kimmel Center for the Performing Arts
Philadelphia, Pennsylvania
April 6, 2010

The Marian Anderson Award is given each year to a personage who has used his or her "talents for personal artistic expression coupled with a deep commitment to the betterment of society." No one deserves such an award more than this year's recipient, Bill Cosby, whose comedy scenarios and TV programs have themselves communicated a message of harmony among the races and generations. In addition, Cosby is a philanthropist, notably on behalf of education, and frequently advocates and supports various social causes. It so happens that "Cos," who came of age in Philadelphia, is an avid jazz fan, a drummer himself, who sometimes shows up at clubs and concerts to give the musicians a friendly boost. So the awards concert in his honor included two jazz mini-sets, one featuring vocalist Lizz Wright and the other with a group of seasoned local jazz musicians supplemented by two saxophonists from New York who are among the longest-lived players in jazz history and still going strong!

The gala event was packed with superb music, encomiums to Cosby, and stand-up comedy, with various musical celebrities and the Philadelphia Orchestra further contributing to the festivities. Cosby and his wife Camille occupied a box close to the proscenium and were obviously moved and thrilled. The festivities culminated in an "acceptance speech" by Cosby which actually consisted of an uproarious improvised comedy routine about his childhood and adolescence in Philadelphia. As funny as it was, his informal "shtick" also contained subtle and important understandings about the nature of race and ethnic prejudice, revealing a "dark side" of the comedian that echoed the deeper musings of Lenny Bruce.

The person for whom the award is named, the great soprano Marian Anderson, was herself an African American who, like Cosby, grew up in Philadelphia and who suffered racial apartheid in American. In 1939, shortly before a scheduled concert in Washington, D.C., she was denied the use of Constitution Hall by the Daughters of the American Revolution because of her color, prompting Eleanor Roosevelt to resign her own membership in the DAR and sponsor Anderson in a widely-covered, memorable, historic concert on the steps of the Lincoln Memorial with thousands of people of all colors in attendance. The award in Anderson's name—which has gone to prominent celebrities such as Oprah Winfrey, Quincy Jones, Danny Glover, Elizabeth Taylor, Richard Gere and, most recently, co-recipients Maya Angelou and Norman Lear—celebrates those prominent, influential figures who have fought racism and supported equal opportunity for all.

The 2010 event honoring Cosby served as a testament to African-American and multi-ethnic and cross-generational music and culture, with Chita Rivera, a close friend of Cosby, as narrator. DJ Bob Perkins emceed the jazz set. Representing a broad cross-section of diverse racial and ethnic groups were conductors James De Priest and Thomas Wilkins, operatic mezzo-soprano Denyce Graves, jazz singer Lizz Wright, the Chinese-American student pianist, Yang Bao, the Boyz2Men pops group, an all-African-American jazz band, and comedian David Brenner. There were also many echoes of the City of Brotherly Love, with DePriest having studied in Philadelphia, Philadelphia mayor Michael Nutter presenting the award to Cosby, and Brenner and Cosby reminiscing with side-splitting humor about their native city.

Cosby loves jazz, and vocalist Lizz Wright gave him a performance to remember. Accompanied by the Philadelphia Orchestra and her own fine pianist, Kenny Banks (who hails from Wright's home town of Atlanta), she delivered knock-out versions of Mongo Santamaria's "Afro Blue" and the title tune from her recording debut, Salt (Universal, 2003). An already proven top vocalist with small groups and big bands, notably the Count Basie Orchestra, Wright, coming on soon after Denyce Graves' stunning operatic renditions of "Ave Maria" and "Acerba Volutta: Dolce Tortura," showed that a jazz diva could hold her own with the best of classical singers. (Indeed it served as a reminder that some selections in the classic and operatic repertoire once held the status of popular songs.)

Tags

comments powered by Disqus

More Articles

Read Pat Metheny at Belfast Waterfront Live Reviews Pat Metheny at Belfast Waterfront
by Ian Patterson
Published: November 19, 2017
Read Crosscurrents at the Michigan Theater in Ann Arbor Live Reviews Crosscurrents at the Michigan Theater in Ann Arbor
by C. Andrew Hovan
Published: November 15, 2017
Read Gary Peacock Trio at the Jazz Standard Live Reviews Gary Peacock Trio at the Jazz Standard
by Mike Jurkovic
Published: November 14, 2017
Read "Arturo Sandoval At Yoshi's Oakland" Live Reviews Arturo Sandoval At Yoshi's Oakland
by Walter Atkins
Published: August 17, 2017
Read "T.S. Monk Sextet at Revolution Hall" Live Reviews T.S. Monk Sextet at Revolution Hall
by Tom Borden and Eric Gibbons
Published: March 10, 2017
Read "Lloyd Gregory And Tony Lindsay at Biscuits & Blues" Live Reviews Lloyd Gregory And Tony Lindsay at Biscuits & Blues
by Walter Atkins
Published: December 22, 2016
Read "The Tom & Jamie Show at the College Street Congregational Church" Live Reviews The Tom & Jamie Show at the College Street...
by Doug Collette
Published: March 29, 2017
Read "Freihofer's Saratoga Jazz Festival 2017" Live Reviews Freihofer's Saratoga Jazz Festival 2017
by R.J. DeLuke
Published: July 5, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.

Please support out sponsor