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Familiarity is a plus on this 2005 studio session by pianist David Hazeltine with bassist George Mraz and drummer Billy Drummond. Drawing most of their program from familiar standards and popular jazz compositions, the three musicians make each of them sound fresh with their brilliant interplay.
The influence of Bill Evans is apparent in Hazeltine's approach to Dave Brubeck's "In Your Own Sweet Way, with Mraz's intricate bass line and Drummond's finesse on the brushes fueling the pianist's solo, though he leaves plenty of room in the spotlight for his partners. The opening rhythm of "Alone Together suggests that "A Night in Tunisia is about to get underway, though with the leader's entrance, they detour into a breezy, swinging performance. Cole Porter's "So in Love is taken at a medium waltz meter, showcasing Mraz extensively. Hazeltine penned the lovely ballad "Don't Walk Away, arranged as an easygoing samba.
The intimate sound of this well-engineered Super Audio hybrid CD helps one to hear the nuances of the session. This rewarding release is best appreciated in a quiet room with one's full attention.
Track Listing: In Your Own Sweet Way; Imagination; Out of This World; Theme for Ernie; Cinema Paradiso; Alone Together; Detour Ahead; Dont Walk Away; So in Love; Everything I Love.
Personnel: David Hazeltine: piano; George Mraz: bass; Billy Drummond: drums.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.