Adam Makowicz has such phenomenal technique at the keyboard that it sometimes sounds as if he's playing with four hands. On his latest album there really are four hands at work, though two of them belong to fellow Polish piano sensation Leszek Mozdzer. Their solo and duet excursions on Chopin and popular standards, recorded live at Carnegie Hall's Weill Recital Hall last year, make for one of the most stunning showcases of piano virtuosity in recent memory.
Makowicz, a New Yorker for 25 years since fleeing his then-repressive homeland, opens the album with a pair of jazz improvisations on Chopin that steer the great Polish composer's romantic melodies through an entirely seamless web of blues, swing, and bebop, even adding a touch of stride. It's a tough act to follow, much less sit side by side with, but the thirty-something Mozdzera new face on the American scene, but a major figure in Polish jazzproves he's up to the task on three Chopin duets with Makowicz.
Rather than battle with piano pyrotechnics, the two men engage in a performance of restraint, subtlety, and supreme musical sympathy, making it hard to tell where one pair of hands ends and the other begins. Mozdzer follows with a solo nod to his colleague's piano hero on Makowicz' "Tatum on My Mind. (A solo Mozdzer recital at Merkin Concert Hall last month showed him an engagingly offbeat performerand dresseras he dazzled the audience with more Chopin and a handful of impressionistic originals that recalled Keith Jarrett's '70s-era improvisations.)
The set closes with a half-dozen often breathtaking duet takes on standards by Richard Rodgers, Leonard Bernstein, Cole Porter, and Duke Ellington. As an encore, Makowicz and Mozdzer turn to a piece that epitomizes the album's Poland meets New York credo: Krzysztof Komeda's theme from Roman Polanski's '60s New York City horror classic Rosemary's Baby. This celebration of Poland and America, classical music and jazz, is already a platinum seller in Poland; it warrants serious attention from jazz fans around the world.
Track Listing: Frederic Chopin: Prelude 24 in D Minor, Op 28; Fantasie - Impromptu, Op 66; Prelude in G major no. 3, Op 28; Prelude in E major, no. 7, Op 28; Prelude in E flat major, no. 17, Op 28; Tatum on My Mind, Surrey with the Fringe on Top, Some Other Time, Love is Here to Stay, Begin the Beguine, Night and Day, Caravan, Rosemary's Baby.
Personnel: Adam Makowicz and Leszek Mozdzer, piano.
Year Released: 2005
| Record Label: EMI Poland
| Style: Beyond Jazz
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.