Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

409

Winard Harper Sextet: Make It Happen

Jeff Dayton-Johnson By

Sign in to view read count
Veteran drummer Winard Harper (who has played with Dexter Gordon, Johnny Griffin, Betty Carter, Ray Bryant, Abdullah Ibrahim, Pharoah Sanders, Clifford Jordan and others) gives us two albums in one on Make It Happen.

The first is percussion-heavy. The opening tracks, for example, present an approach to ensemble sound that recalls Mosaic-era Jazz Messengers (carefully arranged multiple-horn lines over a busy, insistent rhythm section). The best compositions echo episodes in the Mingus lineage (notably Dave Holland's excellent mid-'80s groups). These elements can be traced back to a common ancestor in Duke Ellington, and you can't have better roots than that.

These musical elements are held together by a genuinely novel mix of Afro-Cuban and unhyphenated African percussion. The percussion draws upon the more familiar Latin rhythms known to jazz audiences since Dizzy Gillespie invited Mario Bauza into his band (witness the flawless Latin jazz marriage in Harper's treatment of Charlie Parker's "Segment"), but also other West African elements which are distinct from the more familiar Yoruba heritage: most notably the invigorating Senegalese talking drum passages on "Children of the World." Three nearly all-percussion numbers are a special treat, especially the title track, from Wycliffe Gordon's didgeridoo prelude to its organ-drenched finale over a Brazilianesque rhythm.

The other album is a relatively crammed set of decidedly mainstream allegro ma non troppo jazz; more than a few numbers have to be faded out long before they've worn out their welcome to make room for the others. The locus of inspiration for this second part fluctuates between the '50s ("I've Never Been in Love Before ) and '60s ("Chronic Mistakes, the bass/alto duet "Tamisha ), and the added percussion is either inaudible or unobtrusive (and always appreciated, when you can hear it). It manifests the same great Duke-ish approach to group sound.

Harper assembles a spirited ensemble, augmented on the best tracks by an idiosyncratic band of supplementary percussionists, who play with a palpable joy and solidarity. The percussionists, beginning with Harper, lead the pack; trumpeter Josh Evans' brassy (as opposed to airy) tone recalls Lester Bowie (and ultimately, Rex Stewart) and deserves special mention, but then so too do guests Antonio Hart (alto sax) and Lawrence Clark (tenor sax).

I could listen to the numbers on the percussion-heavy part again and again. As for the cuts on the "second" album, they offer fewer reasons to return for more (with the exception of "Divine Surveillance, which has a certain gravitas). If the balance between the two had been struck more decisively in favor of the first, this would be a stronger overall release, and there is no doubt in my mind that these players could have sustained the passion of the percussion-based group over nearly eighty minutes.

As it is, the unflagging excellence of the compositions, arrangements and soloing (that's just about everything on a jazz record, isn't it?), added to the evident camaraderie of the players throughout, make for a strong and joyful entry under the "soulful/mainstream heading.


Track Listing: Segment; Children of the World; Morning Glow; Make It Happen; Tamisha; I've Never Been in Love Before; Get It! Get It!; Not One Chance; Reflection; Divine Surveillance; Lourana; Chronic Mistakes; BangBangBoomBoomBapBap; After Hours; The Prayer.

Personnel: Winard Harper: drums, Balafon (2,15); Wycliffe Gordon: trombone (4,7,14), didgeridoo (4); Antonio Hart: alto saxophone (3,5,6); Josh Evans: trumpet; Lawrence Clark: tenor saxophone; Stacy Dillard: tenor saxophone (1,12); T. W. Sample: piano; Sean Higgins: piano (1,9,12); Ameen Saleem: bass; Alioune Faye: sabar, jamba, djembe; Abdou Mboup: talking drum (tama) (2,15), vocal (15); Kevin Jones: conga, jamba, shaker, triangle; Jeremy Jones: tambourine, cowbell, dundun.

Title: Make It Happen | Year Released: 2006 | Record Label: Piadrum Records

Tags

comments powered by Disqus

More Articles

Read Roppongi CD/LP/Track Review Roppongi
by Mark Sullivan
Published: January 19, 2018
Read Is Life Long? CD/LP/Track Review Is Life Long?
by Mark Corroto
Published: January 19, 2018
Read Contra la indecision CD/LP/Track Review Contra la indecision
by Mike Jurkovic
Published: January 19, 2018
Read Vessel in Orbit CD/LP/Track Review Vessel in Orbit
by Don Phipps
Published: January 19, 2018
Read Pulse/Quartet CD/LP/Track Review Pulse/Quartet
by Nenad Georgievski
Published: January 19, 2018
Read OR CD/LP/Track Review OR
by Geno Thackara
Published: January 18, 2018
Read "Music in the Room" CD/LP/Track Review Music in the Room
by Glenn Astarita
Published: December 10, 2017
Read "A Gathering Foretold" CD/LP/Track Review A Gathering Foretold
by Geannine Reid
Published: December 12, 2017
Read "Sektion 3-7" CD/LP/Track Review Sektion 3-7
by Glenn Astarita
Published: April 1, 2017
Read "Rondane" CD/LP/Track Review Rondane
by Geno Thackara
Published: January 3, 2018
Read "Today" CD/LP/Track Review Today
by Roger Farbey
Published: October 2, 2017
Read "The Groove Cubed" CD/LP/Track Review The Groove Cubed
by Geannine Reid
Published: October 29, 2017