127

Mahavishnu: Mahavishnu

Walter Kolosky By

Sign in to view read count
Mahavishnu: Mahavishnu 1984's Mahavishnu was supposed to mark the return of drummer Billy Cobham to John McLaughlin's side, in an attempt to recreate the spirit of the original Mahavishnu Orchestra. Although business disagreements led to the reunion ending badly behind the scenes, the record did manage to display some of the historic interplay these musicians had shared in the past.

The album does suffer from a lack of focus that should be blamed on McLaughlin's new guitar synthesizer, which he uses way too often. Many times the listener is not even aware McLaughlin is playing because his damn synthesizer didn't sound like a guitar at all! It can be quite maddening, really. John was in the forefront of the technology at the time, and so his indulgence should be forgiven. He would eventually employ synthesizer patches to good effect on his acoustic Trio recordings several years later.

Mahavishnu consisted of ex-Miles' sax man Bill Evans, outrageous bassist Jonas Helborg, brilliant keyboardist Mitchell Forman and an ever-developing drummer Danny Gottlieb, replacing Cobham on tour. This band would not realize its full potential until its next album, Adventures In Radioland.

Since McLaughlin’s unprocessed electric guitar is rarely heard here, the highlights of Mahavishnu can be found in its compositions. "Clarendon Hills", a tune authored by Evans, is a full-out sonic attack and stands among the best compositions McLaughlin has ever recorded. Katia LaBeque, McLaughlin’s ex and a wonderful pianist, once again effectively adds her talents on the Indian piece "When Blue Turns Gold," which brings the album to a droning close. Recently rescued from the fusion scrap heap by Wounded Bird Records, Mahavishnu even features a talking camera. Remember, “Too Dark. Use Flash.”

Related link: John McLaughlin Reviews @ All About Jazz .

Track Listing: Radio-Activity; Nostalgia; Nightriders; East Side West Side; Clarendon Hills; Jazz; The Unbeliever; Pacific Express; When Blue Turns Gold

Personnel: John McLaughlin- Synclavier II, Digital Guitar, Les Paul Special (all too briefly!); Billy Cobham- drums; Jonas Hellborg- bass; Bill Evans- sax; Mitchell Forman- keyboards; Danny Gottlieb- percussion; Katia LaBeque- keyboards; and others.

Year Released: 1984 | Record Label: Wounded Bird Records | Style: Fusion/Progressive Rock


Shop

More Articles

Read Nightfall CD/LP/Track Review Nightfall
by John Kelman
Published: May 22, 2017
Read Pekka CD/LP/Track Review Pekka
by Roger Farbey
Published: May 22, 2017
Read In the Still of the Night CD/LP/Track Review In the Still of the Night
by Nicholas F. Mondello
Published: May 22, 2017
Read Zea CD/LP/Track Review Zea
by Glenn Astarita
Published: May 22, 2017
Read Asian Fields Variations CD/LP/Track Review Asian Fields Variations
by John Kelman
Published: May 21, 2017
Read Left Right Left CD/LP/Track Review Left Right Left
by Dan McClenaghan
Published: May 21, 2017
Read "Skyjack" CD/LP/Track Review Skyjack
by Dan Bilawsky
Published: October 24, 2016
Read "Second Stream" CD/LP/Track Review Second Stream
by Troy Dostert
Published: January 26, 2017
Read "PausaLive" CD/LP/Track Review PausaLive
by Patrick Keyes
Published: April 27, 2017
Read "Tributango" CD/LP/Track Review Tributango
by Dan McClenaghan
Published: December 13, 2016
Read "Some Great Songs Vol. 2" CD/LP/Track Review Some Great Songs Vol. 2
by Budd Kopman
Published: April 3, 2017
Read "Masters Legacy Series, Volume 1" CD/LP/Track Review Masters Legacy Series, Volume 1
by Dan McClenaghan
Published: January 28, 2017

Post a comment

comments powered by Disqus

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, and provide read access to our future articles.