Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

467

Radam Schwartz / Conspiracy for Positivity: Magic Tales

Larry Taylor By

Sign in to view read count
In Magic Tales, organist Radam Schwartz and Conspiracy For Positivity have delivered jazz to enjoy—straight-ahead, spiced with funk, with creativity to burn.

Like many jazz musicians today, Schwartz also teaches—in his case as a director of the Jazz Institute of New Jersey—while keeping his hand in performing with side gigs. For a number of years, he has led groups composed of former students, with Magic Tales the second release by the current Conspiracy quintet.

Schwartz has been around some 25 years, paying dues with the likes of Arthur Prysock, Eddie "Lockjaw" Davis, Russell Malone and David "Fathead" Newman. In the liner notes, he says he's not a showcase soloist on organ, such as Joey DeFrancesco, who pulls out all the stops all the time; rather, he favors the ensemble style perfected by his favorite organists Jack McDuff and Charles Earland.

Here he sets a steady groove which pulls together a talented assemblage—James Gibbs III on trumpet, Anthony Ware on alto sax, Mischa Fatkiev or Ryan Clackner on guitar and Joe Brown Jr. on drums. Anthony Hopkins' baritone sax contributes mightily on four tracks. The group plays nine originals, mostly by Schwartz, along with a Mariah Carey pop tune and Joe Henderson standard.

Standing out on the play card is Schwartz's complex arrangement of the title track, its funky beat supporting a swirling horn chorus and introducing Nelson, who takes an assertive low-down solo.

Schwartz's majestic organ chords usher the ensemble into his "Imprecise Exactitudes," before the arrangement spotlights outstanding solos: Ware's creative alto improvisation giving way to Clackner, who soon hands it back to the leader for a driving finish. Ware's talents are also featured on Schwartz's plaintive ballad, "Love Conversation," where he contributes a soulful solo.

Variety is the keynote of the album, and Schwartz changes gear with his "Half Gibbs—Full Nelson." As the title suggests, Gibbs' trumpet is teamed with Nelson's baritone, as they ping-pong back and forth, exchanging bars with abandon.

On Magic Tales the mentor can be proud of his subjects—and himself as well.


Track Listing: You'll Always Be My Baby; Sands of Time; Sunday Off Broadway; Magic Tales; The Kicker; Imprecise Exactitudes; Love Conversation; Stevie's Beautiful Soul; Between Me and You; Half Gibbs-Full Nelson; World Anthem.

Personnel: Radam Schultz: organ; James Gibbs III: trumpet; Anthony Ware: alto sax; Anthony Nelson: baritone sax (3, 4, 7, 8, 10); Misha Fatkiev: guitar (1-5, 7, 10); Ryan Clackner: guitar (6, 8, 9, 11); Joe Brown Jr.: drums.

Title: Magic Tales | Year Released: 2008 | Record Label: Arabesque Jazz


Tags

comments powered by Disqus

More Articles

Read "We're All Gonna Die" CD/LP/Track Review We're All Gonna Die
by Doug Collette
Published: October 1, 2017
Read "The Spirit Of Trane" CD/LP/Track Review The Spirit Of Trane
by Roger Farbey
Published: October 4, 2017
Read "Plodi" CD/LP/Track Review Plodi
by Glenn Astarita
Published: November 17, 2017
Read "Les Liaisons Dangereuses 1960" CD/LP/Track Review Les Liaisons Dangereuses 1960
by Dan McClenaghan
Published: June 1, 2017
Read "Rising Colossus" CD/LP/Track Review Rising Colossus
by Glenn Astarita
Published: December 28, 2016
Read "Live in Concert" CD/LP/Track Review Live in Concert
by David Becker
Published: January 30, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!