Could it get any funkier than this, any deeper into the groove? It's doubtful. Saxophonist Arno Haas has, with Magic Hands, crafted a sound that's as tight and danceable as anything that James Brown's Famous Flames conjured back in the late 1960s and early 1970s.
"You Better Watch Out," a blast of fusion, opens the set with a slashing guitar, tight horn work, funky bass lines, all sweetened by a swirling organ breeze, with the leader slicing through the sound on a hot alto saxophone. "Leap of Faith" is more of the same. This is music meant for good times, for dancing.
Born and based in Germany, Haas traveledat the suggestion of the set's producer and main keyboardist, Tom Savianoto Los Angeles, home to so many of the great musicians, to record Haas' songs. The results are very American in moodsoulful and urban, with the precision and polish of the great Motown Records arrangements of the early 70s.
"Don't Doubt My Love" veers slightly from the soul groove, sounding more like a dreamy, pastoral tune from the songbook of saxophonist Jan Garbarek, with Haas on the soprano saxophone. The title tune rides a relaxed groove and gets the feet moving, and "Spin Cycle" kicks the fusion mood up a couple of notches, with Haas sounding tangy on the soprano horn.
These are rousing sounds that say it's time to party, time to pull on the dancing shoes.
Track Listing: You Better Watch Out; A Leap of Faith; Don't Doubt My Love; B Dog C;
Night Moves; One More Dance; Magic Hands; Spin Cycle; Sahara Nights; All
Personnel: Arno Hass: saxophones; Michael Friedinger: keyboards (1); Carmen
Grillo (1, 4, 7, 9) : guitar; Joel Taylor: drums (1, 4,7, 9); Thomas
Nell: trumpet 91); Scott Canady: bass (2, 5, 6); Brian Bromberg: bass
(1, 3, 4, 7,9); Tom Saviano: keyboards (2,3, 4, 5, 6, 9, 10), alto
saxophone (8); Jeff Golub: guitar: (2, 5); Thom Rotella: guitar (2, 3,
10); Lenny Castro: percussion (2); Lee Thornburg: trumpet (2); Vinnie
Colaiuta: drums (3); Arno Lucas: percussion (3, 10); Randy Walderman:
piano (4, 7, 9); Land richards: drums (5, 10); Tony Moore: drums (6);
Bill Champlain: guitar, vocals (6); Shaun LaBelle: bass (8); Stokely
Williams: drums (8); Dave Berry: guitar (8);Everette Harp: tenor
saxophone (8); Ramon Yslas: percussion (9); Stanley Sergeant: bass
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith. We hung out at my Aunt Kate's Soul Food restaurant in Harlem after the matinees at the Apollo where I listened to their stories. I knew I wanted to be a jazz musician from then on. My mother wanted me to play piano, but my Aunt bought me a guitar. I've been playing ever since.
At my mother's early prompting, I first sang Blue Velvet at my Catholic elementary school...and all the nuns came running in and asked me to sing again, so I knew I must have sounded pretty good. I've been singing ever since.
I met Tony Bennett in Miami and he inspired me to return to New York. He was a great mentor.
The best show I ever attended is mpossible to say, I've seen so many great shows. From Tony Bennett to Pat Martino, Return to Forever to Weather Report...I've seen some great performances.
My advice to new listeners is don't let jazz intimidate you, the music has something for every listener and it is our American gift to the world.