All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Before moving to Copenhagen, Denmark in 1978, iconic jazz trumpeter Thad Jones was an established New York City jazz legend best known for his co-leadership of the Thad Jones/Mel Lewis Orchestra, which enjoyed a twelve-year residency at the renowned Village Vanguard. Mad About Thad is the debut from the NYJAZZ Initiativea non-profit organization founded in 2008 to promote an appreciation of jazz through education and regular performancescelebrating Jones' music and keeping it alive for new audiences to enjoy.
Led by NYJAZZ Artistic Director Rob Derkewho provides the arrangements and new orchestration of some of Jones' most beautiful compositionsthe band features a ten-piece light ensemble comprised of the finest musicians from New York's exciting jazz scene among them, pianist Art Hirahara, tenor master Ralph Lalama and altoist Steve Wilson.
Of Course, what would a tribute album about Jones be without a brilliant take on his most famous composition, "A Child Is Born," with spectacular solo performances from tenorist Derke and trumpeter David Smith. "Quiet Lady" is anything but, as Derke's arrangement brings out the lively voices of tenor, trombone and piano, while the very harmonic "Lady Luck" presents the best of the big band sound, with Lalama, Wilson and Smith teeing off on gritty solos.
The eight-piece set list includes the bop classic "Mean What You Say" and a couple of better-known Jones standards like "Three And One" and "Evol Deklaw Ni." The ambitious "Elusive" closes out the set without touching on such classics as "Central Park North" or "Groove Merchant" but, regardless ,completes a fine tribute to a legend whose music is timeless.
There are plenty of sane moments on Mad About Thad, a well-deserved tribute to a giant of jazz presented by the impressive NYJAZZ Initiative ensemble. Director Derke keeps the Jones legacy relative to today's modern mainstream jazz with creative new arrangements, well-presented by a stellar group of players.
Track Listing: Bird Song; Quiet Lady; Mean What You Say; A Child Is Born; Lady Luck; Three And One; Evol Deklaw Ni; Elusive.
Personnel: Rob Derke: tenor saxophone, soprano saxophone; Ralph Lalama; Steve Wilson: alto saxophone; David Smith: trumpet, flugelhorn; Sam Burtis: trombone, tuba; Mark Meyers: trombone (1); Art Hirahara: piano (1, 5, 6); David Bryant: piano (2-4, 7, 8); Carlo De Rosa: bass; Eric McPherson: drums.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.