All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

643

The Flatlands Collective: Maatjes

Troy Collins By

Sign in to view read count
Named for the geographic similarity between the American Mid-West and the Netherlands, the Flatlands Collective is a mid-sized ensemble of Chicago-based musicians operating under the leadership of Dutch saxophonist and electronics manipulator Jorrit Dijkstra. A seamless integration of nostalgic European melodies, futuristic minimalism, and spontaneous free jazz, Dijkstra's cantilevered compositions unveil layers of detailed nuance on Maatjes, the sophomore effort of this international collective.

The ensemble's core line-up is virtually unchanged since their debut, Gnomade (Skycap, 2006). Clarinetist James Falzone, trombonist Jeb Bishop, cellist Fred Lonberg-Holm, and bassist Jason Roebke make return appearances, with drummer Tim Mulvenna replaced by Frank Rosaly. Some of the Windy City's finest improvisers, these internationally astute Chicagoans handle Dijkstra's mercurial Dutch aesthetic with empathetic aplomb, trafficking in a wild and wooly blend of harmonious free improvisation.

Dijkstra's multifaceted writing employs elements of free improvisation, yet generally embraces conventional tonal centers that are more melodious than dissonant. Inspired by the seminal work of Steve Reich, Terry Riley, and LaMonte Young, "Partially Overdone" and "In D Flat Minor" each explore a different aspect of the minimalist tradition. The former unfolds at a glacial pace, ushering in waves of dense, chromatic overtones. The later knits interlocking segments into a hypnotic contrapuntal theme, spotlighting the leader's intervallic alto—enhanced by a buzzing sheet metal mute.

Unveiling opulent harmonies, "Micro Mood" revels in the honeyed melodies of the old-world while "The Gate" and "Druil" each paint atmospheric tone poems; one portrays San Francisco at night, the other Dijkstra's homeland.

Exploring more assertive territory, "Phil's Tesora" features a rousing anthem that careens with rock-like intensity over quicksilver rhythms, while the muscular dirge "Mission Rocker" vacillates in pitch and dynamics. The rambunctious improvisation "Maatjes 2" is even more intense, pitting acoustic and electric instruments against one another in a torrid bout of call and response.

While all of the members of the collective make stirring contributions, it is the leader's fervid alto and analog synthesizer that make the greatest impressions. Dijkstra pairs his Lyricon synth with Lonberg-Holm's EFX pedals, conjuring undulating waves of feedback and crackling noise loops, most notably on the groovy Sun Ra dedication, "Scirocco Song."

Tuneful yet adventurous, Maatjes reveals the missing link between Chicago jazz and the famously capricious Dutch jazz scene. Dijkstra's Flatlands Collective is a vision of the future of jazz, today.


Track Listing: Mission Rocker; Micro Mood; Partially Overdone; Maatjes 1; Druil; Phil's Tesora; The Gate; Maatjes 2; In D Flat Minor; Scirocco Song.

Personnel: Jorrit Dijkstra: alto saxophone, Lyricon, analog synthesizer; James Falzone: clarinet; Jeb Bishop: trombone; Fred Lonberg-Holm: cello, analog electronics; Jason Roebke: bass; Frank Rosaly: drums, percussion.

Title: Maatjes | Year Released: 2009 | Record Label: Clean Feed Records

Tags

comments powered by Disqus

CD/LP/Track Review
Multiple Reviews
CD/LP/Track Review
Read more articles
Bathysphere

Bathysphere

Driff Records
2016

buy
Music for Reeds and Electronics - Oakland

Music for Reeds and...

Driff Records
2015

buy
Pillow Circles

Pillow Circles

Clean Feed Records
2010

buy
Maatjes

Maatjes

Clean Feed Records
2009

buy
 

Sequence

Clean Feed
2006

buy
 

30 Micro-Stems

BVHAAST Records
2002

buy

Related Articles

Read Live CD/LP/Track Review
Live
by Mike Jurkovic
Published: April 21, 2018
Read Humanities CD/LP/Track Review
Humanities
by David A. Orthmann
Published: April 21, 2018
Read Wild Is The Wind CD/LP/Track Review
Wild Is The Wind
by C. Michael Bailey
Published: April 21, 2018
Read Fairytales CD/LP/Track Review
Fairytales
by Gareth Thompson
Published: April 21, 2018
Read Origins CD/LP/Track Review
Origins
by Dan Bilawsky
Published: April 20, 2018
Read Bright Force CD/LP/Track Review
Bright Force
by Karl Ackermann
Published: April 20, 2018
Read "I Speilvendthet" CD/LP/Track Review I Speilvendthet
by Glenn Astarita
Published: December 9, 2017
Read "A Night Walking Through Mirrors" CD/LP/Track Review A Night Walking Through Mirrors
by Barry Witherden
Published: September 21, 2017
Read "Slægt" CD/LP/Track Review Slægt
by Jakob Baekgaard
Published: September 24, 2017
Read "Unleashed" CD/LP/Track Review Unleashed
by John Sharpe
Published: January 20, 2018
Read "Book Of Rhapsodies Vol. II" CD/LP/Track Review Book Of Rhapsodies Vol. II
by Jerome Wilson
Published: October 9, 2017
Read "A Sky You Could Strike a Match On" CD/LP/Track Review A Sky You Could Strike a Match On
by Patrick Burnette
Published: January 15, 2018