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Los Angeles-based pianist/composer Billy Childs mixes the intimacy of classical European sounds with the spontaneity of American jazz in a creative style he terms "Jazz-Chamber Music." The instrumentation of Lyric tells its story: piano, accoustic guitar, reeds, bass and drums say "jazz"; harp, flute, oboe, bassoon and a string quartet say "classical."
The harmonic layering that unfolds throughoutvia the harp/piano/acoustic guitar mixhas an unusual and unusually lush and beautiful feeling beneath the classical colors of the ensemble. All the tunes here are Childs originals, except for Paul Simon's "Scarborough Faire," a lilting, gentle, melodically subtle tune that typifies the sound on Lyric. The set is full of low-key melodies that wander a bitthe opener, "Carson's Eyes," contains a drifting Childs piano solo characterized by his light touch, a dash of daring, and a penchant for unalloyed melodic beauty.
Lyric is one of those discs that probably won't appeal to listeners who insist that their music fit into well-defined categories, or people who haven't accepted the jazz "with strings" genreand they are the poorer for it. Like last year's offering by Charlie Haden, Land of the Sun, Billy Childs concerns himself more on Lyric with the creation of beautiful sounds than fitting them into a box. And he succeeds.
Following Maria Schneider's lead with ArtistShare, Lyric is being sold only at Billy Child's web site.
Track Listing: In Carson's Eyes; Goodbye; Friend; Into the Light; Prelude in Bb Major; The Old Man Tells
His Story; Hope in the Face of Despair; Scarborough Faire; Quiescence; American
Personnel: Billy Childs: piano; Larry Koonse: accoustic guitars; Bob Sheppard: soprano, alto saxes,
alto flute and Bb clarinet; Carol Robbins: harp; Scott Colley: bass; Brain Blade: drums;
Jimmy Johnson: electric bass; Marvin "Smitty" Smith: drums; Mark Robertson, E. Samuel
Fischer: violins; Victor Lawerence: cello; Pamela Vliek: flute; Barbara Northcutt: oboe;
Richard Todd: French horn; David Briedenthal: bassoon.
I love jazz because it's so different than pop and has an emotional pull that other music does not have.
I was first exposed to jazz when I saw Dave Brubeck in 1974.
The first jazz record I bought was Bitches Brew by Miles Davis.