All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Cape Cod-based vocalist Ann Austin sounds blue collar, blue jeans, with an unaffected and straightforward delivery and pipes with some power when she needs it. Throw in the occasional world-weariness and an underlying toughnesstinted with vulnerabilityand she sounds like a lady who sings in a bar somewhereand does it very well, exploring themes of love, longing, love lost, problems with love.
The "love themes" might sound country & western, but Austin's gig is more straight-on popular songs with a soulful side to them. On "Ain't No Use" I'm reminded of Aretha, as Austin sings with emotion and power in front of the band's bluesy backing. On "Oh Me Oh My (I'm a Fool for You, Baby)"done orignally by British songstress LuluAustin sounds resolved to the fact that she's head over heels with someone who, perhaps, doesn't return the feeling. Stevie Wonder's "Lately," arranged with a shuffling groove and John Harrison III's erudite piano, has an elegant sheen. If Austin sings in blue jeans, Harrison plays in a tuxedo, which is a dynamic that contributes greatly to the success of the sound.
Austin penned four of the songs here, and if she's a fine vocalist, she's a better tunesmith. The title cut, "Lost in Your Eyes," and "Can't Erase You From My Heart" seem perfect vehicles for coverage by other songstresses, with strong and engaging melodies and intelligent everywoman lyrics.
A strong debut. Now let's hear some covers of Austin's originals.
Track Listing: Tell Me Not to Love You, Oh Me Oh My (I'm a Fool for You, Baby), Ain't No Use, Once Upon a Time, Lost in Your Eyes, Lately, I Can't Erase You From My Heart, Black Coffee, Fragile, Ballad of the Sad Young Men, Cha Cha Blues
Personnel: Ann Austin--vocals; John Harrison III--piano; Rusty Russo--drums; Mark Pucci--accoustic bass; Paul Good--guitar
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.