Frequency Response's third outing is a study in diversity via a stylistic group sound that touches upon many genres. Cellist/tubaist Tom Abbs is the director of operations throughout a program that integrates chamber jazz, free jazz, and noise-shaping activities amid many other shades of Western song forms.
The group abides by a structured approach to the core compositional underpinnings, but partake in mini, cosmic meltdowns and bustling rhythmic metrics. It's a turbulent journey at times, where the majority of these works intersects and flourishes anew. Hence, the band embarks on a trek, consisting of cleverly devised harmonic movements atop polyrhythmic breakouts by drummer Chad Taylor and simmering sax parts by Brian Settles.
Violinist Jean Cook often engages in sonorous unison passages with Abbs and Settles, as they transmit a sense of urgency on pieces built upon investigative dialogues and whirling choruses. They cover the free bop spectrum during the medium-tempo jaunt "Tightrope," accelerated by Abb's booming and limber bass lines and Taylor's brisk drumming. However, the unit's multifarious executions take a U-turn on "Found," a persuasive melding of the Latin element with an endearing Far Eastern theme. Here, the musicians morph a lovely melody with a fiery improvisational element.
The single word song titles serve, perhaps, as a musical word association paradigm. No doubt, Abbs incites the pondering, within a particular mood or vibe, of whether the soloists lock horns and up the ante or delve into intricately enacted phrasings, topped off with subtle surprises.
Jazz is for me the most important cultural revolution of the 20th century and I'm proud to
play this kind of music. For me, jazz is more than a kind of music, it's the best way of playing
any musical material.